LATEST NEWS FROM AROUND THE WORLD
A Theatre Festival Where Nature Was the Co-actor
Becoming a Citizen Dramaturg
She Arts Festival Launches In Cairo
Renée Fleming’s Cities That Sing
How Urdu Theater Is Reaching Out to New Audiences
Memorial To Professor Maya Harbuzyuk
Egypt Joins Jordan’s Open-Space Theatre Festival
Octavian Saiu, Professor of Theatre Studies and the President of the International Association of Theatre Leaders (IATL), in dialogue with Robert Lepage in the context of the presentation of his show, 887, at Craiova Shakespeare Festival.
Edinburgh Festivals, May Luck Be With You
Edinburgh Fringe 2023: Overview
Edinburgh Fringe 2023: #Danish Ed Fringe
Big In Belgium At The Edinburgh Fringe 2023
Tartuffe or the Hypocrite: Tartare of Tartuffe
“Leaning Church”: The Voices of a Vanished City
“Fear Eats The Soul”: Love In The Grip of Hate
“The Book of Ruth”: Kaddish For Peaceful Life
“Report to an Academy”: To Be or Not to Be Human?
“Nora”: Present Continuous Hell
Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
by Deniz Bașar | May 15, 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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God Is Alive, Magic Is Afoot
by Kopano Maroga | Oct 1, 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa
by Rhiannon Ling | Jun 4, 2024 | Algeria, France, Interview, Theatre and Politics
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
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Mariam Ndagire: A Full Career in Theatre, Music and Film
by Kaggwa Andrew Mayiga | Apr 4, 2024 | Acting, Essay, Uganda
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“Haywire:” An Unsettling Account On Mental Health Issues
by Tawanda Mupatsi | Mar 22, 2024 | Review, Theatre and Science, Zimbabwe
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Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
by Deniz Bașar | May 15, 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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Find Your Voice, Loud and Clear: Musical “Il Tenore” Review
by Hansol Oh | Mar 21, 2024 | Musical Theatre, Review, South Korea
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A Theatre Festival Where Nature Was the Co-actor
by Parshathy J. Nath | Mar 11, 2024 | India, News, Theatre and Science
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Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
by Maria Delgado | Jun 11, 2024 | Acting, News, Spain
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
by Aleks Sierz | Jun 10, 2024 | London, Review, Theatre and Politics, United Kingdom, United States of America
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
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The Return of the Musical “Titanic” to NYC
by Christina Stanton | May 19, 2024 | Musical Theatre, Review, United States of America
Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
by Aleks Sierz | Feb 14, 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Retro-futurist Green Theatre: Trick of the Light’s “Suitcase Show”
by David O'Donnell | May 2, 2024 | New Zealand, Puppetry, Review
A new show from Trick of the Light theatre company is always something special, and Suitcase...
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“That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin
by David O'Donnell | Apr 19, 2024 | Adaptation, New Zealand, Review, Worldwide
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The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
“Bérénice” at Milan’s FOG Festival
Milan’s FOG Festival
Tartuffe or the Hypocrite: Tartare of Tartuffe
“Leaning Church”: The Voices of a Vanished City
“Fear Eats The Soul”: Love In The Grip of Hate
She Arts Festival Launches In Cairo
“The Book of Ruth”: Kaddish For Peaceful Life
How Urdu Theater Is Reaching Out to New Audiences
68th Sterijino pozorje: A critical dialogue
Egypt Joins Jordan’s Open-Space Theatre Festival
The ENTRE Festival in Midwest Brazil
“Trade/Motorhead” at PROTOTYPE 2023 Festival
“Undine” at PROTOTYPE 2023 Festival
“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival
“note to a friend” at PROTOTYPE 2023 Festival
“Morning//Mourning” at PROTOTYPE 2023 Festival
“Flo & Joan,” Lund Comedy Festival
Highlights from the Mladi Levi Festival in Ljubljana
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
by Maria Delgado | Jun 11, 2024 | Acting, News, Spain
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
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Mariam Ndagire: A Full Career in Theatre, Music and Film
by Kaggwa Andrew Mayiga | Apr 4, 2024 | Acting, Essay, Uganda
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More Sickly Mansions
by Jonathan Kalb | Jan 7, 2024 | Acting, Review, United States of America
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Igor Vuk Torbica (1987 – 2020) – Balkan “Prince of Theatre” – The third Igor’s Days
by Emilija Kvočka | May 13, 2024 | Directing, Macedonia, Review, Serbia
He lived for 33 years, and then he left us. He had his first professional direction in the...
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Phillip Luswata: A Career Onstage and Behind the Scene
by Kaggwa Andrew Mayiga | Feb 4, 2024 | Directing, Essay, Uganda
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Leonard Okware: 39 Years Behind the Lights
by Kaggwa Andrew Mayiga | Oct 29, 2023 | Directing, Essay, Uganda
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Tartuffe or the Hypocrite: Tartare of Tartuffe
by Emiliia Dementsova | Oct 25, 2023 | Directing, Festivals, Hungary, Review, Theatre Olympics 2023
Prominent American Theatre Scholar, Elinor Fuchs, Dies at 91
by The Theatre Times | May 28, 2024 | Dramaturgy, New York, News, United States of America
Elinor Fuchs, a trailblazing theater scholar, critic, and playwright, passed away on May 28, 2024,...
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Becoming a Citizen Dramaturg
by Liv Lanteri | Feb 24, 2024 | Dramaturgy, Education, News, United States of America
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Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
by David O'Donnell | Mar 21, 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding
by Ivanka Apostolova Baskar | Apr 4, 2024 | Greece, Interview, Management
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
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Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
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Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
by Aleks Sierz | Feb 14, 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
ESSAYS
Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
by Deniz Bașar | May 15, 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
-
Mariam Ndagire: A Full Career in Theatre, Music and Film
by Kaggwa Andrew Mayiga | Apr 4, 2024 | Acting, Essay, Uganda
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INTERVIEWS
Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa
by Rhiannon Ling | Jun 4, 2024 | Algeria, France, Interview, Theatre and Politics
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
REVIEWS
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
by Aleks Sierz | Jun 10, 2024 | London, Review, Theatre and Politics, United Kingdom, United States of America
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
READ ALL LATEST
Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
by Maria Delgado | Jun 11, 2024 | Acting, News, Spain
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
Read MoreSanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
by Aleks Sierz | Jun 10, 2024 | London, Review, Theatre and Politics, United Kingdom, United States of America
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Read MoreTheatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa
by Rhiannon Ling | Jun 4, 2024 | Algeria, France, Interview, Theatre and Politics
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
Read MoreWhen Theatre Meets Gaming: “Third Law” at Culture Lab LIC
by Rhiannon Ling | Jun 1, 2024 | Immersive Theatre, New York, Review, United States of America
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
Read MoreProminent American Theatre Scholar, Elinor Fuchs, Dies at 91
by The Theatre Times | May 28, 2024 | Dramaturgy, New York, News, United States of America
Elinor Fuchs, a trailblazing theater scholar, critic, and playwright, passed away on May 28, 2024,...
Read More“Ronja, the Robber’s Daughter:” Theater Conventions for Kids
by Teodora Medeleanu | May 22, 2024 | Poland, Review, Theatre for Young Audiences
In spite of all open-mindedness, attending family performances as an adult can be, initially at...
Read MoreLike Mother, Like Son: “Redemption Story” at A.R.T./NY
by Rhiannon Ling | May 22, 2024 | New York, Review, Theatre and Film, United States of America
My first thought upon entering Redemption Story at A.R.T./NY was that of boldness: I can’t recall...
Read More“Miss Saigon”: Déjà vu. An exclusive interview with Claude-Michel Schönberg
by Lisa Monde | May 21, 2024 | France, Interview, Musical Theatre
Dedicated to the 35th anniversary of the musical Miss Saigon, an exclusive interview with the...
Read MoreThe Return of the Musical “Titanic” to NYC
by Christina Stanton | May 19, 2024 | Musical Theatre, Review, United States of America
Most historic dates and events fade from view after a few years, especially as witnesses age and...
Read More“English,” a Gate to Enriching Desired Dreams
by Azadeh Kangarani | May 15, 2024 | Review, Theatre and Politics, United States of America
Do you speak any languages besides your mother tongue, especially as an adult learner? How do you...
Read More“Earworm:” Entangled in the Political Landscape
by Amin Azimi | May 15, 2024 | Canada, Review, Theatre and Politics
Toronto’s theatre scene thrives on its multicultural identity, a modern-day Tower of Babel...
Read MoreLegacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
by Deniz Bașar | May 15, 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
Read More“Bérénice” at Milan’s FOG Festival
by Margaret Rose | May 14, 2024 | Festivals, Italy, Theatre and Art
Together with Wayne McGregor’s dance piece, UniVerse: A Dark Crystal Odyssey, Romeo Castellucci’s...
Read MoreIgor Vuk Torbica (1987 – 2020) – Balkan “Prince of Theatre” – The third Igor’s Days
by Emilija Kvočka | May 13, 2024 | Directing, Macedonia, Review, Serbia
He lived for 33 years, and then he left us. He had his first professional direction in the...
Read MoreFrom Exile to Redemption
by Marcina Zaccaria | May 12, 2024 | Review, Theatre and Politics, United States of America
Solo Performers John Rwothomack and Fidaa Zidan join forces to unravel the discovery of life after political rallies and prison sentences in Lines.
Read MoreHow To Recognise Us? The Foreign Women In London: Theatre Review Of “Don’t Get Me Wrong”
by Xunnan Li | May 5, 2024 | Review, Theatre and Politics, United Kingdom
Amidst the bustling metropolis of London, a group of aspiring theatrical talents (Kelly Guibal, Flavia Di Saverio, Thelma Osorio Euan, Maria Luc, Hana Tamaru, Arianna Folini) took to the stage at The Hen & Chicken Theatre in March 2024 to present their musical production, “Don’t Get Me Wrong”. Through their performance, they delved into the intricate tapestry of challenges and joys experienced by those navigating life in the vibrant yet daunting urban landscape of the UK’s largest city.
Read MoreRetro-futurist Green Theatre: Trick of the Light’s “Suitcase Show”
by David O'Donnell | May 2, 2024 | New Zealand, Puppetry, Review
A new show from Trick of the Light theatre company is always something special, and Suitcase...
Read MoreFollies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024
by Rhiannon Ling | Apr 28, 2024 | Festivals, Review, United States of America
2024’s New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish,...
Read More“Without a State:” a Collision Between Migration and the Perpetual Pursuit of Identity and Belonging
by Tawanda Mupatsi | Apr 23, 2024 | Review, Theatre and Politics, Zimbabwe
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
Read More“That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin
by David O'Donnell | Apr 19, 2024 | Adaptation, New Zealand, Review, Worldwide
The southern city of Ōtepoti/Dunedin has played an important role in the history of Samuel Beckett...
Read MoreAnything Can Be Bought If The Price Is Right: Juan Mayorga’s “La Colección” (The Collection)
by Maria Delgado | Apr 12, 2024 | Review, Spain
Juan Mayorga might have been a crime writer in another life, he loves to set up complex, menacing...
Read MoreStaging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack)
by Maria Delgado | Apr 9, 2024 | Review, Spain
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
Read MoreMilan’s FOG Festival
by Margaret Rose | Apr 7, 2024 | Festivals, Immersive Theatre, Italy
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
Read MoreMariam Ndagire: A Full Career in Theatre, Music and Film
by Kaggwa Andrew Mayiga | Apr 4, 2024 | Acting, Essay, Uganda
It is hard to remember the first encounter with Mariam Ndagire as an artist. It was probably through music, theatre, or both; Mariam Ndagire is from a generation that popularised music and theatre; they created songs for their...
Read MoreBetween The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding
by Ivanka Apostolova Baskar | Apr 4, 2024 | Greece, Interview, Management
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
Read MoreThe Silent Service of Women: Cayenne Douglass’s “Maiden Voyage” at The Flea
by Rhiannon Ling | Apr 2, 2024 | New York, Review, Theatre and Gender, United States of America
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
Read More“Teeth” Bites Back Against Purity Culture: On Michael R. Jackson and Anna K. Jacob’s Musical
by Morgan Skolnik | Mar 31, 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read More“I Killed My Mother/It Wasn’t My Fault.” Which Way Does One Get to Come-of-Age?
by Teodora Medeleanu | Mar 25, 2024 | India, Review, Theatre and Gender
The question of universality faces entire series of utterly new answers, but not all of them find...
Read MoreA Triple Bill on Desire and its Discontents: “La Voix Humaine”, “Erwartung” and Something in Between at Madrid’s Teatro Real
by Maria Delgado | Mar 25, 2024 | Review, Spain, Theatre and Opera
There are a number of firsts in the new Teatro Real production triple bill that brings together...
Read MoreAlfredo Sanzol Stages Lorca’s “The House of Bernarda Alba”: Simmering Passions, Solitude and Surveillance
by Maria Delgado | Mar 25, 2024 | Review, Spain
The 2023/2024 season has proved the year of Bernarda Albas. Lorca’s 1936 drama was completed only...
Read More“Haywire:” An Unsettling Account On Mental Health Issues
by Tawanda Mupatsi | Mar 22, 2024 | Review, Theatre and Science, Zimbabwe
When Chenura Trust a Zimbabwean media company announced that they were working on a theatrical...
Read More“ANGELA (a Strange Loop)”: The Wild and Wonderful World of Susanne Kennedy
by Maria Delgado | Mar 22, 2024 | Directing, Review, Spain
Susanne Kennedy doesn’t do things by half. When she creates a world, it has its own logic, its own...
Read MoreRe-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
by David O'Donnell | Mar 21, 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
Read MoreFind Your Voice, Loud and Clear: Musical “Il Tenore” Review
by Hansol Oh | Mar 21, 2024 | Musical Theatre, Review, South Korea
It is 1930s Kyeongseong (what Seoul was called during the Japanese occupation), and the colonial...
Read MoreStage to Screen: Támara Torres on “Orange Is The New Black,” Netflix Shaping Streaming
by Alexander Fatouros | Mar 21, 2024 | Acting, Interview, New York, Theatre and Film, United States of America
American actress of beauty and talent, Támara Torres is a legend of Orange is the New Black, the...
Read More“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
by Antonio Hernández Nieto | Mar 18, 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read MoreTim Price’s “Nye” at the National Theatre: A Fun Life of the Creator of the National Health Service
by Aleks Sierz | Mar 14, 2024 | London, Review, Theatre and Politics, United Kingdom
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
Read MoreA Theatre Festival Where Nature Was the Co-actor
by Parshathy J. Nath | Mar 11, 2024 | India, News, Theatre and Science
The man moved through the trees like an evening breeze. He mumbled chants to the leaves. His...
Read More“This Is Our Home” – Online Theatre Three Years Later
by Teodora Medeleanu | Mar 7, 2024 | Review, Transmedia, Ukraine
The performance follows four women in different parts of Ukraine, at various distances from the...
Read MoreLucy Kirkwood’s “The Human Body” at the Donmar Warehouse: Twin Tales of Illicit Love and the Founding of the National Health Service
by Aleks Sierz | Mar 6, 2024 | Review, Theatre and Politics, United Kingdom
It’s election year so the gaze of British theatre turns towards the National Health Service. But,...
Read MoreMarius von Mayenburg’s Nachtland at the Young Vic: Satire on Art and Anti-Semitism Is Both Absurdist and Unsettling
by Aleks Sierz | Mar 4, 2024 | Germany, London, Review, Theatre and Politics, United Kingdom
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read MoreIn Poor Voice
by Jonathan Kalb | Mar 3, 2024 | Review, Transmedia, United States of America
Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I...
Read MoreAscanio Celestini’s “Rumba. The Donkey and the Ox”
by Margaret Rose | Mar 1, 2024 | Italy, Review, Theatre and Religion
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
Read MoreTheater, Addiction, and Responsibility
by Jonathan Kalb | Mar 1, 2024 | Musical Theatre, Review, United States of America
I almost didn’t go see Days of Wine and Roses: The Musical because my memories of the highly...
Read MoreMore Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
by Jeune Théâtre Européen Jeunes Publics | Feb 29, 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
Read MoreMultilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
by Kasia Lech | Feb 28, 2024 | Essay, France, Germany, Greece, Ireland, Theatre and Politics, Theatre for Young Audiences, Tunisia
The growing levels of migration results in an increasing number of children across Europe growing...
Read MorePeter Sellars’ “Beatrice di Tenda”: Freedom, Defiance, and Tyranny
by Maria Delgado | Feb 27, 2024 | France, Review, Spain, Theatre and Opera
Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently...
Read MoreHenrik Ibsen’s An Enemy of the People at the Duke of York’s Theatre: Thomas Ostermeier’s West End Debut Has Starry Cast And Punk Aesthetics
by Aleks Sierz | Feb 26, 2024 | London, Review, Theatre and Politics, United Kingdom
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
Read MoreBecoming a Citizen Dramaturg
by Liv Lanteri | Feb 24, 2024 | Dramaturgy, Education, News, United States of America
What is a citizen-dramaturg? Could I study it at a university? Is it merely a state of mind? Would...
Read MoreMusical “Evita”: 45 Years Later
by Lisa Monde | Feb 22, 2024 | Interview, Musical Theatre, New York, United States of America
Tim Rice became interested in the biography of Eva Perón – the wife of the famous dictator Juan...
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Most Popular Posts
- Prominent American Theatre Scholar, Elinor Fuchs, Dies at 91 by The Theatre Times 28th May 2024
- Igor Vuk Torbica (1987 – 2020) – Balkan… by Emilija Kvočka 13th May 2024
- “Habitat” by Doris Uhlich: Performing a… by Marilena Borriello 6th August 2023
- “Miss Saigon”: Déjà vu. An exclusive… by Lisa Monde 21st May 2024
- Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024
- “English,” a Gate to Enriching Desired Dreams by Azadeh Kangarani 15th May 2024
- “ANGELA (a Strange Loop)”: The Wild and… by Maria Delgado 22nd March 2024
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- “Ronja, the Robber’s Daughter:” Theater… by Teodora Medeleanu 22nd May 2024
- The Return of the Musical “Titanic” to NYC by Christina Stanton 19th May 2024
Recent Posts
- Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature” 11th June 2024
- Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity 10th June 2024
- Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa 4th June 2024
- When Theatre Meets Gaming: “Third Law” at Culture Lab LIC 1st June 2024
- Prominent American Theatre Scholar, Elinor Fuchs, Dies at 91 28th May 2024
- “Ronja, the Robber’s Daughter:” Theater Conventions for Kids 22nd May 2024
- Like Mother, Like Son: “Redemption Story” at A.R.T./NY 22nd May 2024
- “Miss Saigon”: Déjà vu. An exclusive interview with Claude-Michel Schönberg 21st May 2024
- The Return of the Musical “Titanic” to NYC 19th May 2024
- “English,” a Gate to Enriching Desired Dreams 15th May 2024