SPECIAL REPORT: SANTIAGO A MIL 2024
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Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Retro-futurist Green Theatre: Trick of the Light’s “Suitcase Show”
A new show from Trick of the Light theatre company is always something special, and Suitcase...
The Digital Spectator. Romanian Experiences During the Pandemic
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
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Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
Igor Vuk Torbica (1987 – 2020) – Balkan “Prince of Theatre” – The third Igor’s Days
He lived for 33 years, and then he left us. He had his first professional direction in the...
Prominent American Theatre Scholar, Elinor Fuchs, Dies at 91
Elinor Fuchs, a trailblazing theater scholar, critic, and playwright, passed away on May 28, 2024,...
Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
ESSAYS
Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
INTERVIEWS
Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
REVIEWS
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
READ ALL LATEST
Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
Read MoreSanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Read MoreTheatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
Read More
When Theatre Meets Gaming: “Third Law” at Culture Lab LIC
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
Read MoreProminent American Theatre Scholar, Elinor Fuchs, Dies at 91
Elinor Fuchs, a trailblazing theater scholar, critic, and playwright, passed away on May 28, 2024,...
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“Ronja, the Robber’s Daughter:” Theater Conventions for Kids
In spite of all open-mindedness, attending family performances as an adult can be, initially at...
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Like Mother, Like Son: “Redemption Story” at A.R.T./NY
My first thought upon entering Redemption Story at A.R.T./NY was that of boldness: I can’t recall...
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“Miss Saigon”: Déjà vu. An exclusive interview with Claude-Michel Schönberg
Dedicated to the 35th anniversary of the musical Miss Saigon, an exclusive interview with the...
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The Return of the Musical “Titanic” to NYC
Most historic dates and events fade from view after a few years, especially as witnesses age and...
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“English,” a Gate to Enriching Desired Dreams
Do you speak any languages besides your mother tongue, especially as an adult learner? How do you...
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“Earworm:” Entangled in the Political Landscape
Toronto’s theatre scene thrives on its multicultural identity, a modern-day Tower of Babel...
Read MoreLegacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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“Bérénice” at Milan’s FOG Festival
Together with Wayne McGregor’s dance piece, UniVerse: A Dark Crystal Odyssey, Romeo Castellucci’s...
Read MoreIgor Vuk Torbica (1987 – 2020) – Balkan “Prince of Theatre” – The third Igor’s Days
He lived for 33 years, and then he left us. He had his first professional direction in the...
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From Exile to Redemption
Solo Performers John Rwothomack and Fidaa Zidan join forces to unravel the discovery of life after political rallies and prison sentences in Lines.
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How To Recognise Us? The Foreign Women In London: Theatre Review Of “Don’t Get Me Wrong”
Amidst the bustling metropolis of London, a group of aspiring theatrical talents (Kelly Guibal, Flavia Di Saverio, Thelma Osorio Euan, Maria Luc, Hana Tamaru, Arianna Folini) took to the stage at The Hen & Chicken Theatre in March 2024 to present their musical production, “Don’t Get Me Wrong”. Through their performance, they delved into the intricate tapestry of challenges and joys experienced by those navigating life in the vibrant yet daunting urban landscape of the UK’s largest city.
Read MoreRetro-futurist Green Theatre: Trick of the Light’s “Suitcase Show”
A new show from Trick of the Light theatre company is always something special, and Suitcase...
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Follies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024
2024’s New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish,...
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“Without a State:” a Collision Between Migration and the Perpetual Pursuit of Identity and Belonging
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
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“That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin
The southern city of Ōtepoti/Dunedin has played an important role in the history of Samuel Beckett...
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Anything Can Be Bought If The Price Is Right: Juan Mayorga’s “La Colección” (The Collection)
Juan Mayorga might have been a crime writer in another life, he loves to set up complex, menacing...
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Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack)
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
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Milan’s FOG Festival
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
Read MoreMariam Ndagire: A Full Career in Theatre, Music and Film
It is hard to remember the first encounter with Mariam Ndagire as an artist. It was probably through music, theatre, or both; Mariam Ndagire is from a generation that popularised music and theatre; they created songs for their...
Read MoreBetween The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
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The Silent Service of Women: Cayenne Douglass’s “Maiden Voyage” at The Flea
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
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“Teeth” Bites Back Against Purity Culture: On Michael R. Jackson and Anna K. Jacob’s Musical
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
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“I Killed My Mother/It Wasn’t My Fault.” Which Way Does One Get to Come-of-Age?
The question of universality faces entire series of utterly new answers, but not all of them find...
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A Triple Bill on Desire and its Discontents: “La Voix Humaine”, “Erwartung” and Something in Between at Madrid’s Teatro Real
There are a number of firsts in the new Teatro Real production triple bill that brings together...
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Alfredo Sanzol Stages Lorca’s “The House of Bernarda Alba”: Simmering Passions, Solitude and Surveillance
The 2023/2024 season has proved the year of Bernarda Albas. Lorca’s 1936 drama was completed only...
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“Haywire:” An Unsettling Account On Mental Health Issues
When Chenura Trust a Zimbabwean media company announced that they were working on a theatrical...
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“ANGELA (a Strange Loop)”: The Wild and Wonderful World of Susanne Kennedy
Susanne Kennedy doesn’t do things by half. When she creates a world, it has its own logic, its own...
Read MoreRe-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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Find Your Voice, Loud and Clear: Musical “Il Tenore” Review
It is 1930s Kyeongseong (what Seoul was called during the Japanese occupation), and the colonial...
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Stage to Screen: Támara Torres on “Orange Is The New Black,” Netflix Shaping Streaming
American actress of beauty and talent, Támara Torres is a legend of Orange is the New Black, the...
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“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
There are some myths about the opera that are not true. Firstly, that young people do not like...
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Tim Price’s “Nye” at the National Theatre: A Fun Life of the Creator of the National Health Service
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
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A Theatre Festival Where Nature Was the Co-actor
The man moved through the trees like an evening breeze. He mumbled chants to the leaves. His...
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“This Is Our Home” – Online Theatre Three Years Later
The performance follows four women in different parts of Ukraine, at various distances from the...
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Lucy Kirkwood’s “The Human Body” at the Donmar Warehouse: Twin Tales of Illicit Love and the Founding of the National Health Service
It’s election year so the gaze of British theatre turns towards the National Health Service. But,...
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Marius von Mayenburg’s Nachtland at the Young Vic: Satire on Art and Anti-Semitism Is Both Absurdist and Unsettling
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
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In Poor Voice
Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I...
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Ascanio Celestini’s “Rumba. The Donkey and the Ox”
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
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Theater, Addiction, and Responsibility
I almost didn’t go see Days of Wine and Roses: The Musical because my memories of the highly...
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More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
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Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
The growing levels of migration results in an increasing number of children across Europe growing...
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Peter Sellars’ “Beatrice di Tenda”: Freedom, Defiance, and Tyranny
Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently...
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Henrik Ibsen’s An Enemy of the People at the Duke of York’s Theatre: Thomas Ostermeier’s West End Debut Has Starry Cast And Punk Aesthetics
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
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Becoming a Citizen Dramaturg
What is a citizen-dramaturg? Could I study it at a university? Is it merely a state of mind? Would...
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Musical “Evita”: 45 Years Later
Tim Rice became interested in the biography of Eva Perón – the wife of the famous dictator Juan...
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