Wire playlist: Robbie Lee
January 2022
The New York improvisor shares a selection of exclusive tracks and outtakes from upcoming releases
“I’m not really a multi-instrumentalist,” says musician Robbie Lee, speaking to Andy Hamilton in The Wire 456, “just an instrumentalist with a many-tentacled, shapeshifting instrument.” Lee plays and records with sopranino saxophone, contrabass recorder, tuning forks, baroque flutes, chalumeau or Renaissance clarinet, and many more instruments besides – “My goal is to play as much like myself with whatever tools I have”, he continues.
Lee's Wire playlist features two previously unheard tracks from his upcoming duo album with sound artist and musician Lea Bertucci, as well as two outtakes from recent releases; solo album Prismatist [“Noble Rot”] and Loss And Gain by Ilgenfritz/Chase/Lee trio.
“The other tracks are all from upcoming projects that are finished and in the release pipeline for the future”, Lee explains. “Two with more obscure artists – UK violinist Max Baillie, and Swedish drummer Hampus Öhman-Frölund – and one track from an ongoing collaboration with Henry Kaiser. Also a collaborative trio called Earth Room, that will have an album this year. I threw in a short bass flute solo [“You're Cellophane”] that I love, from a new work-in-progress.”
Read Lee's interview in full in The Wire 456. Subscribers can also read the article online via the digital archive.
Lee's Wire playlist features two previously unheard tracks from his upcoming duo album with sound artist and musician Lea Bertucci, as well as two outtakes from recent releases; solo album Prismatist [“Noble Rot”] and Loss And Gain by Ilgenfritz/Chase/Lee trio.
“The other tracks are all from upcoming projects that are finished and in the release pipeline for the future”, Lee explains. “Two with more obscure artists – UK violinist Max Baillie, and Swedish drummer Hampus Öhman-Frölund – and one track from an ongoing collaboration with Henry Kaiser. Also a collaborative trio called Earth Room, that will have an album this year. I threw in a short bass flute solo [“You're Cellophane”] that I love, from a new work-in-progress.”
Read Lee's interview in full in The Wire 456. Subscribers can also read the article online via the digital archive.
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