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- Summary: The second full-length release for the electronic producer features contributions from William Basinski, Dope Saint Jude, Fawkes, and Holly Herndon.
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- Record Label: Planet Mu
- Genre(s): Electronic, Pop/Rock, Techno Bass, Juke/Footwork
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Score distribution:
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Positive: 15 out of 15
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Mixed: 0 out of 15
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Negative: 0 out of 15
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May 19, 2017Black Origami is an album that, like its predecessors, will be savored and analyzed for the rest of the year. It’s a lock for best albums of 2017.
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May 22, 2017To say Black Origami is an album that grows on you with each listen is correct, but undermines the energy you feel upon the album's first listen. It's earthy and futuristic, complex and linear, dance-y and a total mind-fuck.
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May 31, 2017It’s dark and brooding, fiercely sparse at times and blindingly dense at others. Footwork is no longer an appropriate descriptor for this music. With Black Origami, Jlin has transcended her roots to build a language all of her own. And simply put, it’s brilliant.
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May 18, 2017Black Origami can be intimidating: it's dark, relentless, and makes substantial demands on the listener. But it's also powerful and distinctive. In the world of rhythmic electronic music, nobody else is doing it quite like this.
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Jun 28, 2017Make no mistake--this is an album that’s challenging and demands attention, but if you can stay focused, you’ll be richly rewarded.
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May 18, 2017It's intricate and punishing, industrial and artful.
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The WireAug 8, 2017There’s a gracefulness to Patton’s rhythms that sets her apart from other footwork producers--something deeply contemplative. [Jun 2017, p.66]
Score distribution:
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Positive: 8 out of 10
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Mixed: 2 out of 10
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Negative: 0 out of 10
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Apr 9, 2018On the first listen, it was just a bunch of nonsensical noises, but as I listened again, it all started to make sense.
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Aug 24, 2017
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