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- Summary: the 13th release for the avant-garde Norwegian trio of Arve Henriksen, Helge Sten (aka Deathprod) and Ståle Storløkken was recorded from the music coming out from its stage PA system.
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- Record Label: Smalltown Supersound
- Genre(s): Jazz, Avant-Garde, Pop/Rock, Experimental Rock, Free Improvisation
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Score distribution:
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Positive: 6 out of 7
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Mixed: 1 out of 7
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Negative: 0 out of 7
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Nov 22, 2016The added bonus is the way this release is inclusive of the familiar textures of more poplar electronics. It's wide open and intelligent, and comes highly recommended.
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Oct 24, 2016Ultimately, 13 is a lens buffer for viewing Supersilent’s previous interrogations of how conditioned humans process sound and space, yet it needn’t in itself be a normative work.
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Oct 5, 2016This is the sound of expert experimenters who commence with an economical, even polite inquisitive conversation before developing their dialogue to a point where total creative and emotional expression is set free.
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Oct 5, 2016That's the fascination and the frustration of Supersilent: it's like they keep destroying the lineaments of form just for the pleasure of vouchsafing them to us again.
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Oct 5, 201613 has enough ominous tension to justify numerical superstitions. In fact, you could do worse than to make this album a cornerstone of your Halloween soundtrack this year.
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The WireNov 8, 2016It has a few surprises and sharp edges, but the structures are unstable. Like the post-rock improv of Aethenor, occasional bolts of energy strike and convulse the players. In its second half, however, 13 finally picks up momentum. [Oct 2016, p.60]
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Oct 5, 2016“13.6” is where the album takes a noticeable turn and Supersilent finally finds its way.