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Canon EF 24mm f/1.4L II USM Wide Angle Lens - Fixed - 2750B002 , Black
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Purchase options and add-ons
Brand | Canon |
Focal Length Description | Wideangle Prime 24 millimeters |
Lens Type | Wide Angle |
Compatible Mountings | Canon EF |
Camera Lens Description | 8 |
About this item
- Lens not zoomable
- Minimum focus Distance is 0.8ft
- Focal Length -24 mm
- Diagonal angle of view: 84�
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USA PRODUCT, SERIAL #5073027, DATE CODE UB0607
Top Brand: Canon
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Price | -27% $1,129.95$1,129.95 List: $1,549.00 | $1,499.95$1,499.95 | -14% $1,199.00$1,199.00 List: $1,399.00 | $199.00$199.00 | $199.00$199.00 | $1,299.00$1,299.00 |
Delivery | Get it as soon as Tomorrow, Mar 22 | — | Get it as soon as Wednesday, Mar 26 | Get it as soon as Wednesday, Mar 26 | Get it as soon as Wednesday, Mar 26 | Get it as soon as Wednesday, Mar 26 |
Customer Ratings | ||||||
Sold By | SSE Photo & Video | Willoughby's Established 1898 | Amazon.com | Amazon.com | K&M Camera Since 1976 | Amazon.com |
lens type | Wide Angle | Wide Angle | Wide Angle | Standard | Telephoto | Wide Angle |
compatible mountings | Canon EF | Canon EF | Canon RF | Canon RF | Canon EF | Canon EF |
lens design | Prime | Prime | Zoom | Prime | Zoom | Zoom |
focus type | Ring-type ultrasonic | Auto Focus | Auto Focus | Auto/Manual | Auto Focus | Ring-type ultrasonic |
minimum focal length | 24 millimeters | 14 millimeters | 35 millimeters | 50 millimeters | 75 millimeters | 16 millimeters |
max focal length | 24 millimeters | 14 millimeters | — | 50 millimeters | 300 millimeters | 35 millimeters |
fixed focal length | 24 millimeters | 14 millimeters | 0 millimeters | 50 millimeters | 300 millimeters | 35 millimeters |
real angle of view | 84 degrees | 104 degrees | 14 degrees | 46 degrees | 32.87 degrees | 80.5 degrees |
model name | 2750B002 | ef | Canon RF14-35mm F4 L IS USM Lens | CNRF50F18STM | Canon EF 75-300mm f/4-5.6 III | 9518B002 |
max aperture | — | 2.8 f stop | 35 millimeters | 50 millimeters | 4 f stop | 4 f stop |
diaphragm blades | 8 | 3 | — | 5 | 7 | 9 |
From the manufacturer

EF 24mm f/1.4L II USM Wide Angle Lens
Canon's fixed length L-series lens, the EF 24mm f/1.4L II USM, incorporates advanced Canon lens technology for spectacular sharpness and impressive performance at all settings. It features two high-precision, large-diameter aspherical lenses for sharpness across the sensor, even in peripheral areas of full-frame sensors. Lens elements have a well-designed anti-reflective SWC (Sub Wavelength Coating) that departs from conventional coatings by using an extremely fine structure that minimizes ghosting and flaring across the lens surface, regardless of the angle with which light enters or exits.
It also features two UD lens elements to minimize chromatic aberrations, incorporates rear-focusing, ultrasonic, quiet and high-speed AF with full-time manual override. A circular aperture provides beautiful out-of-focus detail and offers legendary dust- and water-resistant L-series construction using only lead-free glass.

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Canon 24mm f1.4 vs 50mm f1.2 vs 85mm f1.8 #thisorthat
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Product information
Product Dimensions | 3.43 x 3.7 x 3.7 inches |
---|---|
Item Weight | 9.5 ounces |
ASIN | B001GNCWCE |
Item model number | 2750B002 |
Customer Reviews |
4.4 out of 5 stars |
Best Sellers Rank | #284 in SLR Camera Lenses |
Is Discontinued By Manufacturer | No |
Date First Available | September 17, 2008 |
Manufacturer | Canon Cameras US |
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Canon EF 24mm f/1.4L II USM Wide Angle Lens - Fixed - 2750B002 , Black
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Product Description
Filter size: 77 mm, Closest Focusing Distance: 0.25 feet.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers are satisfied with the camera lens' build quality, image quality, and focus speed. They appreciate its solid construction, fast and smooth focus, and sharpness from wide open to close range. The lens works well for them, capturing crisp, clean photos with beautiful bokeh and deep depth of field.
AI-generated from the text of customer reviews
Customers appreciate the camera lens' image quality. They find it produces sharp, clean photos with beautiful bokeh and deep images in low light. The lens offers great contrast, saturation, and fast autofocus for portraits, real estate, and architectural shots. It also shines on crop frame bodies.
"...no surprise that this lens exceeds both of them in all respects, image quality, color saturation, distortion, sharpness, chromatic aberration, etc...." Read more
"...The lens goes down to f1.4 which allows me to take photos at night often without a tripod. It also goes up to f22...." Read more
"...I find the image quality to be worth the pricetag, as this is THE storytelling lens to own, if you are a documentary style photog...." Read more
"This lens is gorgeous. It's my second prime L lens. My first was the 85 1.2 and it sold me on the idea of using primes almost exclusively...." Read more
Customers appreciate the lens' build quality. They find it a good general purpose lens with a solid construction and rubber gasket. The glass is in perfect condition, the focus speed and noise are superior to other lenses, and it functions in perfect order. Many consider it a niche lens that is sharp wide open and unique.
"...sharpness were clearly superior. The 24-105mm is a good general purpose lens, but did not keep up at any respective focal length or aperture..." Read more
"...I give this lens 5/5 for build quality (EXCELLENT), 5/5 for optical quality (best I have ever owned), but 4/5 for value just because of the price......" Read more
"...This 24 f/1.4 is wonderfully made. It is classic L quality, both inside and out. Focus ring, filter threads, USM motor, it's all sublime...." Read more
"...Just holding it in your hand speaks "high quality."..." Read more
Customers appreciate the fast and sharp focus of the camera lens. They find it repeatable, with a short minimum focus distance and perfect focusing in live view mode. The lens has a quiet and smooth focusing motor, and excels in daylight shooting.
"...It has a close minimum focus distance which is a pleasant surprise and useful, with its 24mm focal length can also cause some interesting..." Read more
"...lens hood is included with this one, silent and smooth focus, accurate on both 40D and 7D, sometimes a bit too slow in dim lighting..." Read more
"...The focus ring is very smooth, and it has a decent amount of throw in it when going from closet focus to infinity focus...." Read more
"LENS: This lens is wonderful and perfect for what I do. The focus is fast and sharp...." Read more
Customers like the sharpness of the camera lens. They say it's extremely sharp wide open and edge-to-edge, with no problems with chromatic aberration.
"...them in all respects, image quality, color saturation, distortion, sharpness, chromatic aberration, etc...." Read more
"...VERY SHARP edge to edge on my 40D and now my 7D, no problems with chromatic aberrations in the corners..." Read more
"...Wide open at f/1.4 it is superbly sharp. I've owned the 50mm f/1.2L and I sold it for a loss after a month because it was SO soft at f/1.2...." Read more
"...The sharpness in my test shots are exactly what I expected out of this prime; extremely sharp...." Read more
Customers appreciate the lens' functionality. They mention it works well, takes crisp and clean photos, and is usable for astrophotography. The lens is sharp in low-light conditions and good on both crop and full-frame cameras. It's a must-have for astrophotographers.
"...These are two different tools and the performance of each is extraordinary." Read more
"...The Hoya (both the digital version and the regular version) works well and cuts UV haze in bright sky photos and such better than other big name..." Read more
"...It came in great condition, as described. All functions in perfect order, glass is perfect condition...." Read more
"...At F1.4 it does get softer but still very usable...." Read more
Customers appreciate the lens' lightness. They find it works well in low light, focusing well, and reduces flare from lights. The moth's eyes biomimetic design helps reduce UV haze in bright sky photos better than other brands.
"...uses reverse engineered moth's eyes (biomimetics) to reduce flare from lights that the version I reportedly had...." Read more
"...lens which gave me the best photos I've made with it's low light abilities...." Read more
"...Detail is very high and clean there. Low-light ability is great, and it's got good sharpness all around. It is a good lens...." Read more
"...For lowlight it sucks enough light even from small light sources like a cell phone screen. Extremely sharp in the center at f1.4...." Read more
Customers have different views on the lens' value for money. Some find it a great lens and a safe investment for any kit, while others feel it's too expensive for their needs.
"...Weight & size are very reasonable - it feels solid as opposed to heavy...." Read more
"...Summary: this is a pricy lens, no way to get around that, but you DO get what you pay for here, just make sure this is what you really want..." Read more
"...I use this mostly for sports and underwater photography. It’s a VERY HEAVY lens, which is hopefully a sign of durability...." Read more
"...to a previous review - the lens is a great lens and a safe investment for any kit...." Read more
Customers have mixed opinions about the focal length of the camera lens. Some find it wide enough for shooting in smaller rooms or getting a pretty wide landscape, with pinpoint depth of field focus and low light conditions. They love the 24mm focal length, which is a great focal length for walking around. However, others feel it's too wide for everyday shooting, is large and heavy, and has a lot of CA wide open.
"...Weight & size are very reasonable - it feels solid as opposed to heavy...." Read more
"...but if you are carrying this all day you do notice it, the front element is quite big and it does attract some attention..." Read more
"...I really love the 24mm focal length. Not TOO wide, but it's wide enough for shooting in smaller rooms or getting a pretty wide landscape shot...." Read more
"...It is large and heavy though, even when compared to the gigantic 16-28mm...." Read more
Reviews with images

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Top reviews from the United States
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- Reviewed in the United States on November 13, 2012Style: Lens onlyVerified PurchaseGenerally, I have been very impressed with this lens.
I have had the 16-35mm ii and 24-105mm as well, all well-regarded lenses. I thought it would be fun to compare them. It should be no surprise that this lens exceeds both of them in all respects, image quality, color saturation, distortion, sharpness, chromatic aberration, etc. This is as it should be, given the 24mm being a prime.
If landscaping is your thing or you commonly shoot between f/5.6 and f/22, the 16-35mm @ 24mm (actually, the sweet spot on that lens) fared fairly well, but still short, with regard to picture quality versus this lens - these lenses cost about the same. The added versatility of the zoom also might sway some people to that lens as well. From f/1.4 through f/5.6 apertures, this 24mm prime wins hands-down however - chromatic aberration, contrast, color saturation and (outstanding wow!) sharpness were clearly superior. The 24-105mm is a good general purpose lens, but did not keep up at any respective focal length or aperture setting - possibly that's why they introduced the new 24-70 IS recently.
Bokeh, while not as creamy/dreamy as the 50L or certainly the 85L or 135L, is not unpleasant. Weight & size are very reasonable - it feels solid as opposed to heavy. Construction is robust as you'd expect from Canon's L-series and has full weather-proofing when you add a filter (I've had this lens out in a rain/sleet/snow storm with no problems). It has a close minimum focus distance which is a pleasant surprise and useful, with its 24mm focal length can also cause some interesting perspective shots.
A few other things are worth mentioning: You may need to perform a micro-adjustment to your autofocus. There is some vignetting and corner softness at wide apertures, both clear up quickly by f/2.0 - for some this might be a desirable trait and for others not so much.
If you're looking for the best 24mm lens for apertures at f/4 or wider, this is the ticket - albeit a pricey one. I like this lens a lot, fun for just walking around with in both good and limited light.
Good Luck & Happy Shooting!
January 2013 Update - More in love with this lens than the day I bought it. I sold the 16-35mm f/2.8 II, while not a slouch by any means, but this lens is so much better in every regard. The former has severe barrel-distortion from 16-20mm which was quite noticeable on full frame.
October 2013 Update - I've had a chance to use the TS-E 24mm f/3.5L II a lot recently and wanted to give one more comparison. The resolution and sharpness on the two different lenses is pretty close at similar apertures - meaning, both lenses are wicked, wicked sharp. With the TS, you gain some optical quality however - while the EF (this lens) has excellent distortion and aberration control, the TS is nearly distortion and aberration free, a truly remarkable achievement. The most obvious benefit of the TS is perspective control via its tilt and shift features. The TS has an even closer focus distance than the EF, giving it a healthy magnification. With the TS, you give up autofocus, weather sealing, and a wide aperture. My only suggestion for improvement is the same for both lenses, add an additional blade on the aperture so as to cause more interesting starbursts. These are two different tools and the performance of each is extraordinary.
- Reviewed in the United States on February 8, 2012Style: Lens onlyVerified PurchaseI got this lens as soon as it came out (bought it here on Amazon for 1550USD), this was over a year ago, I think its getting close to the 2-year mark, but anyway... I had it for a while now here are my impressions:
Cons:
price ($$$) but this is an L quality lens that's f1.4, so if you consider that its probably priced just right (otherwise this thing would fly off the shelf and you would never be able to secure yours :), as with any prime, zoom is in your legs, so sometimes when I can't reach my subject I end up cropping the image afterwards, on a crop body APS-C this is a 38mm so I don't get that wide angle effect like on a FF, but I don't mind that (some people might), weight... its not that bad, but if you are carrying this all day you do notice it, the front element is quite big and it does attract some attention (I don't particularly like that, so I include this in the cons), ahhhh one more thing... when you use the provided hood, forget about using on board flash (40D and 7D) hood throws a shadow on the scene (remove the hood and flash is useful again)
Pros:
f1.4... amazing... really, I'm addicted :) VERY SHARP edge to edge on my 40D and now my 7D, no problems with chromatic aberrations in the corners (when you stop it down beyond f4.0), full weather sealing (I installed a front filter as soon as I got this lens, you need to do that to ensure proper sealing), lens hood is included with this one, silent and smooth focus, accurate on both 40D and 7D, sometimes a bit too slow in dim lighting conditions (but no complaints on my part, to be expected), the lens has that 'pro' feel to it, AF/MF button works smoothly, and the MF ring is build to last, I feel that the lens is build better than my 40D and 7D so I am more worried about breaking the body then the lens :)
Summary:
this is a pricy lens, no way to get around that, but you DO get what you pay for here, just make sure this is what you really want because there are other very good options out there that might suit you just fine (16-35 f2.8L II is in the same price range and if you don't really need that f1.4 go for that... on 2nd thought I might have as well, but what's done is done, I'll stick with this lens now that I'm getting used to it). I use this mainly for landscape photography and I am very pleased with the results. See what you think:
[...]
but this would make an excellent video lens as well, the 38mm coverage on the APS-C body seems just right. The f1.4 definitely comes in useful in low light situations, but then again the ISO performance of the 7D is quite good... so you might not need that f1.4 after all (personal preference, so you have to decide).
I give this lens 5/5 for build quality (EXCELLENT), 5/5 for optical quality (best I have ever owned), but 4/5 for value just because of the price... I think that most people would be happier with the 16-35 f2.8L version I or II (I do miss that zoom sometimes)
Top reviews from other countries
- Amazon CustomerReviewed in Canada on August 18, 2018
5.0 out of 5 stars Best starting L Prime Lens
Style: Lens onlyVerified PurchaseWonderful lens for anyone who wants to get great wide shots with their subjects in the frame.
I'll probably have this lens for years.