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The Ninth Hour: A Novel Kindle Edition
A magnificent new novel from one of America’s finest writers—a powerfully affecting story spanning the twentieth century of a widow and her daughter and the nuns who serve their Irish-American community in Brooklyn.
On a dim winter afternoon, a young Irish immigrant opens a gas tap in his Brooklyn tenement. He is determined to prove—to the subway bosses who have recently fired him, to his pregnant wife—that “the hours of his life . . . belonged to himself alone.” In the aftermath of the fire that follows, Sister St. Saviour, an aging nun, a Little Nursing Sister of the Sick Poor, appears, unbidden, to direct the way forward for his widow and his unborn child.
In Catholic Brooklyn in the early part of the twentieth century, decorum, superstition, and shame collude to erase the man’s brief existence, and yet his suicide, though never spoken of, reverberates through many lives—testing the limits and the demands of love and sacrifice, of forgiveness and forgetfulness, even through multiple generations. Rendered with remarkable delicacy, heart, and intelligence, Alice McDermott’s The Ninth Hour is a crowning achievement of one of the finest American writers at work today.
- LanguageEnglish
- PublisherFarrar, Straus and Giroux
- Publication dateSeptember 19, 2017
- File size3.6 MB
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Editorial Reviews
Review
New York Times Book Review's 100 Notable Books of 2017
The Washington Post's 50 Notable Works of Fiction 2017
The Wall Street Journal's Top 10 Novels of 2017
Time Magazine's Top 10 Novels of 2017
NPR's Best Books of 2017
Kirkus Reviews' Best Fiction & Best Historical Fiction of 2017
Library Journal's Top 10 Novels of 2017
"McDermott has extended her range and deepened it, allowing for more darkness, more generous lashings of the spiritual . . . Vivid and arresting . . . Marvelously evocative." --Mary Gordon, The New York Times Book Review
"Beautifully observed, quietly absorbing . . . This enveloping novel, too, is a tonic, if not a cure." --Heller McAlpin, NPR
"[T]he precision of a master . . . [A] great novel." --The Wall Street Journal
"Stunning... McDermott has created a haunting and vivid portrait of an Irish Catholic clan in early 20th century America." --The Associated Press
"Brilliant... perhaps her finest work to date." --Michael Magras, The Houston Chronicle
"A remarkable snapshot of early 20th-century Irish-Catholic Brooklyn." --Entertainment Weekly
"[B]eautifully crafted . . . McDermott illuminates every-day scenes with such precise, unadorned descriptions that the reader feels he or she is there, hidden in the background . . . [Everything] is treated with McDermott's exquisite language, tinged with her signature wit.... [A] novel to savor and to share." --Bookpage
"McDermott is a poet of corporeal description . . . it's the way she marries the spirit to the physical world that makes her work transcendent . . . The Ninth Hour is a story with the simple grace of a votive candle in a dark church." --Sarah Begley, Time
"In this enveloping, emotionally intricate, suspenseful drama, McDermott lures readers into her latest meticulously rendered Irish American enclave. . . Like Alice Munro, McDermott is profoundly observant and mischievously witty, a sensitive and consummate illuminator of the realization of the self, the ravages of illness and loss, and the radiance of generosity. . . McDermott's extraordinary precision, compassion, and artistry are entrancing and sublime. . . This is one of literary master McDermott's most exquisite works." --Donna Seaman, Booklist, starred review
"This seamlessly written new work from National Book Award winner McDermott asks how much we owe others, how much we owe ourselves, and, of course, McDermott's consistent attention to the Catholic faith, how much we owe God . . . In lucid, flowing prose, McDermott weaves her character' stories to powerful effect. Highly recommended." --Library Journal, starred review
"McDermott delivers an immense, brilliant novel about the limits of faith, the power of sacrifice, and the cost of forgiveness . . . It's the thread that follows Sally's coming of age and eventual lapse of faith that is the most absorbing. Scenes detailing her benevolent encounters . . . are paradoxically grotesque and irresistible . . . McDermott exhibits a keen eye for character." --Publishers Weekly, starred review
"Everything that her readers, the National Book Award committee, and the Pulitzer Prize judges love about McDermott's stories of Irish-Catholic American life is back." --Kirkus Reviews, starred review
"The Ninth Hour by Alice McDermott: National Book Award winner McDermott is simply one of the finest living Catholic writers, and her new novel looks to capture the spirit of her previous work: families and cultures strained by the optimism of faith tempered by the suffering of reality. ... A generational novel sure to appeal to longtime McDermott fans, and to bring-in new readers as well." --The Millions
"Extraordinary . . . Astonishing . . . Compelling . . . Surely there has never been as strong and clear-eyed a novel about kindness as Alice McDermott's The Ninth Hour . . . McDermott is yet again at the height of her formidable powers. This work of art comes to us at a time when, as much as ever, we need a call to compassion." --East Hampton Star
"Any good and proper Most-Anticipated-Fiction list of mine will always start with Alice McDermott." --The Quivering Pen
"McDermott [is] the master of understated storytelling." --Washington Independent Review of Books
Publishers Weekly Top 10 Literary Fiction Picks for Fall 2017
Excerpted in The New Yorker
PRAISE FOR ALICE MCDERMOTT
"McDermott has the soul of an archaeologist--excavating shards of the daily routine, closely examining the cracks and crevices of the human heart." --O Magazine
"Exquisite. . . deft. . . filled with so much universal experience, such haunting imagery, such urgent matters of life and death." --The New York Times
"Packed with complexity and emotion" --The Washington Post
"Filled with subtle insights and abundant empathy and grace." --USA Today
"Lyrical study of quotidian life. . . McDermott manages to write lyrically in plain language, she is able to find the drama in uninflected experience." --Los Angeles Times
"With virtuosic concision, McDermott assembles this swirl of seemingly mundane anecdotes into a powerful examination of love, mortality, and 'the way of all flesh.'" --The New Yorker
"The micropoetry elevates the book from a gently story to a multilayered Our Town-like tale." --People
"Each slide, each scene, from the ostensibly inconsequential to the clearly momentous, is illuminated with equal care." --The New York Times Book Review
"The landscape of memory is a chiaroscuro in motion." --Boston Globe
"That's the spectacular power of McDermott's writing: Without ever putting on literary airs, she reveals to us what's distinct about characters who don't have the ego or eloquence to make a case for themselves as being anything special." --Maureen Corrigan, Fresh Air, NPR
"Extraordinary art woven out of ordinary lives." --The Quivering Pen
"Gripping and resonant. . . In her own way, she achieves as much as the dazzling, muscular 'hysterical realists.' For she manages to break all the basic rules of writing--only quietly." --NPR
"Almost without exception, each moment . . . is so thoroughly mined so that every story, nearly every thought it seems, reveals the true complexity of our lives." --The Coffin Factory
"[McDermott] is a sublime artist of the quotidian." --San Francisco Chronicle
"In beautifully understated language and an unerringly nimble free-associative narrative, McDermott weaves such an intimate complex life study that we feel each . . . accumulating loss until they become staggering." --Elle
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The Ninth Hour
By Alice McDermottFarrar, Straus and Giroux
Copyright © 2017 Alice McDermottAll rights reserved.
ISBN: 978-0-374-28014-7
Contents
Title Page,Copyright Notice,
Dedication,
These Short Dark Days,
And Then,
The Ninth Hour,
Alone,
Rose,
The Convent Child,
Orders,
Sister Lucy,
Reparation,
Overnight,
Stabat Mater,
The Substitute,
True,
Mercy,
A Tonic,
Holy,
Still,
Grace,
Endless Length of Days,
Also by Alice McDermott,
A Note About the Author,
Copyright,
CHAPTER 1
These Short Dark Days
February 3 was a dark and dank day altogether: cold spitting rain in the morning and a low, steel-gray sky the rest of the afternoon.
At four, Jim convinced his wife to go out to do her shopping before full darkness fell. He closed the door on her with a gentle wave. His hair was thinning and he was missing a canine on the right side, but he was nevertheless a handsome man who, at thirty-two, might still have passed for twenty. Heavy brows and deep-set, dark-lashed eyes that had been making women catch their breath since he was sixteen. Even if he had grown bald and toothless, as he seemed fated to do, the eyes would have served him long into old age.
His overcoat was on the hall tree beside the door. He lifted it and rolled it lengthwise against his thighs. Then he fitted it over the threshold, tucking the cloth of the sleeves and the hem as well as he could into the space beneath the door. Theirs was a railroad flat: kitchen in the back, dining room, living room, bedroom in the front. He needed only to push the heavy couch a few feet farther along the wall to block his wife's return. He stood on the seat to check that the glass transom above the door was tightly closed. Then he stepped down. He straightened the lace on the back of the couch and brushed away the shallow impression his foot had made on the horsehair cushion.
In the kitchen, he pressed his cheek to the cold enamel of the stove and slid his hand into the tight space between it and the yellow wall. He groped a bit. They kept a baited mousetrap back there, or had in the past, and it made him careful. He found the rubber hose that connected the oven to the gas tap and pulled at it as vigorously as he could, given the confined space. There was a satisfying pop, and a hiss that quickly faded. He straightened up with the hose in his hand. The kitchen window looked into the gray courtyard where, on better days, there would be lines of clothes baking in the sun, although the floor of the deep courtyard, even in the prettiest weather, was a junkyard and a jungle. There were rats and bedsprings and broken crates. A tangle of city-bred vegetation: a sickly tree, black vines, a long-abandoned attempt at a garden. From rag-and-bone man to wayward drunk, any voice that ever rose out of its depths was the voice of someone up to no good. Once, Annie, sitting on the windowsill with a clothespin in her mouth and a basket of wet linen at her feet, saw a man drag a small child through the muck and tie him to the rough pole that held the line. She watched the man take off his belt, and, with the first crack of it against the child's bare calves, she began to yell. She threw the clothespins at him, a potted ivy plant, and then the metal washbasin still filled with soapy water. Leaning halfway out the window herself, she threatened to call the police, the fire department, the Gerrity Society. The man, as if pursued only by a change in the weather, a sudden rain, glanced up briefly, shrugged, and then untied the sobbing child and dragged him away. "I know who you are," Annie cried. Although she didn't. She was an easy liar. She paced the street for an hour that afternoon, waiting for the man and the boy to reappear.
When Jim ran into the kitchen at the sound of her shouting, she was from head to waist out the window, with only one toe on the kitchen floor. He'd had to put his hands on her hips to ease her out of danger. Just one more of what had turned out to be too many days he hadn't gone in to work or had arrived too late for his shift.
His trouble was with time. Bad luck for a trainman, even on the BRT. His trouble was, he liked to refuse time. He delighted in refusing it. He would come to the end of a long night, to the inevitability of 5 a.m. — that boundary, that abrupt wall toward which all the night's pleasures ran (drink, talk, sleep, or Annie's warm flesh) — and while other men, poor sheep, gave in every morning, turned like lambs in the chute from the pleasures of sleep or drink or talk or love to the duties of the day, he had been aware since his childhood that with the easiest refusal, eyes shut, he could continue as he willed. I'm not going, he'd only have to murmur. I won't be constrained. Of course, it didn't always require refusing the whole day. Sometimes just the pleasure of being an hour or two late was enough to remind him that he, at least, was his own man, that the hours of his life — and what more precious commodity did he own? — belonged to himself alone.
Two weeks ago they had discharged him for unreliability and insubordination. Inside the shell of his flesh, the man he was — not the blushing, humiliated boy who stood ham-handed before them — simply shook off the blow and turned away, indifferent, free. But Annie wept when he told her, and then said angrily, through her tears, that there was a baby coming, knowing even as she said it that to break the news to him in this way was to condemn the child to a life of trouble.
He took the tea towels she had left to dry on the sink, wound them into ropes, and placed them along the sill of the kitchen window.
He carried the length of rubber tubing through the living room and into the bedroom. He slipped off his shoes, put the tube to his mouth, as if to pull smoke. He had seen this in a picture book back home: a fat sultan on a red pillow doing much the same. He sat on the edge of the bed. He bowed his head and prayed: Now and at the hour of our death. He lay back on the bed. The room had gotten dimmer still. Hour of our. Our hour. At home, his mother, the picture book spread out on her wide lap, would reach behind him to turn the clock face to the wall.
Within this very hour he would put his head on her shoulder once again. Or would he? There were moments when his faith fell out from under him like a trapdoor. He stood up. Found his nightshirt underneath his pillow and twisted it, too. Then placed it along the edge of the one window, again pushing the material into the narrow crevice where the frame met the sill, knowing all the while that the gesture was both ineffectual and unnecessary.
Down in the street, there was a good deal of movement — women mostly, because the shops were open late and the office workers had not yet begun to file home. Dark coats and hats. A baby buggy or two, the wheels turning up a pale spray. He watched two nuns in black cloaks and white wimples, their heads bent together, skim over the gray sidewalk. He watched until they were gone, his cheek now pressed to the cool window glass. When he turned back into the room, the light had failed in every corner and he had to put out his hand as he walked around the pale bed, back to his own side.
He stretched out once again. Playfully lifted the hose to one eye, as if he would see along its length the black corridor of a subway tunnel, lit gold at the farthest end by the station ahead. Then he placed the hose in his mouth and breathed deeply once more. He felt the nausea, the sudden vertigo, he had been expecting all along but had forgotten he was expecting. He closed his eyes and swallowed. Outside, a mother called to a child. There was the slow clopping of a horse-drawn cart. The feathered sound of wheels turning in street water. Something dropped to the floor in the apartment just above him — a sewing basket, perhaps — there was a thud and then a scratchy chorus of wooden spools spinning. Or maybe it was coins, spilled from a fallen purse.
* * *
AT SIX, the streetlamps against the wet dark gave a polish to the air. There was the polish of lamplight, too, on streetcar tracks and windowpanes and across the gleaming surface of the scattered black puddles in the street. Reflection of lamplight as well on the rump of the remaining fire truck and on the pale faces of the gathered crowd, with an extra gold sparkle and glint on anyone among them who wore glasses. Sister St. Saviour, for instance, a Little Nursing Sister of the Sick Poor, who had spent the afternoon in the vestibule of the Woolworth's at Borough Hall, her alms basket in her lap. She was now on her way back to the convent, her bladder full, her ankles swollen, her round glasses turned toward the lamplight and the terrible scent of doused fire on the winter air.
The pouch with the money she had collected today was tied to her belt; the small basket she used was tucked under her cloak and under her arm. The house where the fire had been looked startled: the windows of all four floors were wide open, shade cords and thin curtains flailing in the cold air. Although the rest of the building was dark, the vestibule at the top of the stone stoop was weirdly lit, crowded with policemen and firemen carrying lamps. The front door was open, as, it appeared, was the door to the apartment on the parlor floor. Sister St. Saviour wanted only to walk on, to get to her own convent, her own room, her own toilet — her fingers were cold and her ankles swollen and her thin basket was crushed awkwardly under her arm — but still she brushed through the crowd and climbed the steps. There was a limp fire hose running along the shadowy base of the stone banister. Two of the officers in the hallway, turning to see her, tipped their hats and then put out their hands as if she had been summoned. "Sister," one of them said. He was flushed and perspiring, and even in the dull light, she could see that the cuffs of his jacket were singed. "Right in here."
The apartment was crowded with people, perhaps every tenant in the place. The smell of smoke and wet ash, burned wool, burned hair, was part and parcel of the thick pools of candlelight in the room, and of the heavy drone of whispered conversation. There were two groups: one was gathered around a middle-aged man in shirtsleeves and carpet slippers who was sitting in a chair by the window, his face in his hands. The other, across the room, hovered beside a woman stretched out on a dark couch, under a fringed lamp that was not lit. She had a cloth applied to her head, but she seemed to be speaking sensibly to the thin young man who leaned over her. When she saw the nun, the woman raised a limp hand and said, "She's in the bedroom, Sister." Her arm from wrist to elbow was glistening with a shiny salve — butter, perhaps.
"You might leave off with that grease," Sister said. "Unless you're determined to be basted." The young man turned at this, laughing. He wore a gray fedora and had a milk tooth in his grin. "Have the courtesy to doff your hat," she told him.
It was Sister St. Saviour's vocation to enter the homes of strangers, mostly the sick and the elderly, to breeze into their apartments and to sail comfortably through their rooms, to open their linen closets or china cabinets or bureau drawers — to peer into their toilets or the soiled handkerchiefs clutched in their hands — but the frequency with which she inserted herself into the homes of strangers had not diminished over the years, her initial impulse to stand back, to shade her eyes. She dipped her head as she passed through the parlor, into a narrow corridor, but she saw enough to conclude that a Jewish woman lived here — the woman on the couch, she was certain, a Jewish woman, she only guessed, because of the fringed lampshade, the upright piano against the far wall, the dark oil paintings in the narrow hallway that seemed to depict two ordinary peasants, not saints. A place unprepared for visitors, arrested, as things so often were by crisis and tragedy, in the midst of what should have been a private hour. She saw as she passed by that there was a plate on the small table in the tiny kitchen, that it contained a half piece of bread, well bitten and stained with a dark gravy. A glass of tea on the edge of a folded newspaper.
In the candlelit bedroom, where two more policemen were conferring in the far corner, there were black stockings hung over the back of a chair, a mess of hairbrushes and handkerchiefs on the low dresser, a gray corset on the threadbare carpet at the foot of the bed. There was a girl on the bed, sideways, her dark skirt spread around her, as if she had fallen there from some height. Her back was to the room and her face to the wall. Another woman leaned over her, a hand on the girl's shoulder.
The policemen nodded to see the nun, and the shorter one took off his cap as he moved toward her. He, too, was singed about the cuffs. He had a heavy face, stale breath, and bad dentures, but there was compassion in the way he gestured with his short arms toward the girl on the bed, toward the ceiling and the upstairs apartment where the fire had been, a compassion that seemed to weigh down his limbs. Softhearted, Sister thought, one of us. The girl, he said, had come in from her shopping and found the door to her place blocked from the inside. She went to her neighbors, the man next door and the woman who lived here. They helped her push the door open, and then the man lit a match to hold against the darkness. There was an explosion. Luckily, the policeman said, he himself was just at the corner and was able to put the fire out while neighbors carried the three of them down here. Inside, in the bedroom, he found a young man on the bed. Asphyxiated. The girl's husband.
Sister St. Saviour drew in her breath, blessed herself. "He fell asleep, poor man," she said softly. "The pilot light must have gone out."
The officer glanced over his shoulder, toward the bed, and then took the Sister's elbow. He walked her out to the narrow hall. Now they stood in the kitchen doorway; the arrested tableau: the bitten bread, the dark gravy, the glass of reddish tea on a small wooden table, the chair pushed back (there had been an urgent knock on the door), the newspaper with its crooked lines of black ink.
"He killed himself," the officer whispered, his breath sour, as if in reaction to the situation he was obliged to report. "Turned on the gas. Lucky he didn't take everyone else with him."
Accustomed as she was to breezing into the lives of strangers, Sister accepted the information with only a discreet nod, but in the space of it, in the time it took her merely to turn her cheek and bow her head, her eyes disappeared behind the stiff edge of her bonnet. When she looked up again — her eyes behind the glasses were small and brown and caught the little bit of light the way only a hard surface could, marble or black tin, nothing watery — the truth of the suicide was both acknowledged and put away. She had pried handkerchiefs from the tight fists of young women, opened them to see the blood mixed with phlegm, and then balled them up again, nodding in just such a way. She had breezed into the homes of strangers and seen the bottles in the bin, the poor contents of a cupboard, the bruise in a hidden place, seen as well, once, a pale, thumb-sized infant in a basin filled with blood and, saying nothing at all, had bowed her head and nodded in just such a way.
"What's the girl's name?" she asked.
The officer frowned. "Mc-something. Annie, they called her. Irish extraction," he added. "That's why I thought to call for you."
Sister smiled. Those button eyes had dark depths. "Is that so?" she said. They both knew no one had called for her. She had been on her way home, merely passing by. She dipped her head again, forgiving him his vanity — didn't he say, too, that he'd put out the fire himself? "I'll go to her, then," she said.
As she stepped away she saw the milk-toothed young man, still in his hat, approach the officer. "Hey, O'Neil," the man shouted. No courtesy in him.
Inside the shadowed bedroom, the neighbor woman who stood at the bedside had her eyes elsewhere, on the gloaming at the far side of the cluttered room. She was a stout woman, about forty. No doubt there were children waiting to be put to bed, a husband to be placated. A woman with a family of her own, with troubles of her own, could not be expected to attend to the sorrows of another indefinitely.
The nun only nodded as the two exchanged places. At the door of the room, the woman looked over her shoulder and whispered, "Can I do anything for you, Sister?"
Sister St. Saviour recalled a joke she had once made, when a young nun asked her the same, in the midst of a busy morning. "Yes. Can you go tinkle for me?"
But she said, "We'll be fine." It was what she wanted this Annie Mc-something to hear.
When the woman was gone, Sister reached inside her cloak and took the small basket from under her arm. It was a flimsy thing, woven of unblessed palms, and much worse the wear for being crushed against her body so long. She straightened and reshaped it a bit, catching as she did the green scent that the warmth of her own flesh and the work of her hands could sometimes coax from the dried reeds. She placed the basket on the table beside the bed and untied the money pouch from her belt. It was all coins today, mostly pennies. She placed the pouch in the basket and then sat carefully on the side of the bed, her kidneys aching, her feet throbbing inside her shoes. She looked at the girl's form, the length of her back and the curve of her young hip, her thin legs beneath the wide skirt. Suddenly the girl turned in the bed and threw herself into Sister's lap, weeping.
(Continues...)Excerpted from The Ninth Hour by Alice McDermott. Copyright © 2017 Alice McDermott. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : B06W9HYRX1
- Publisher : Farrar, Straus and Giroux (September 19, 2017)
- Publication date : September 19, 2017
- Language : English
- File size : 3.6 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 251 pages
- Best Sellers Rank: #133,244 in Kindle Store (See Top 100 in Kindle Store)
- #189 in British & Irish Literary Fiction
- #941 in Historical Literary Fiction
- #1,020 in Contemporary Literary Fiction
- Customer Reviews:
About the author

Alice McDermott (born June 27, 1953) is an American writer and university professor. For her 1998 novel Charming Billy she won an American Book Award and the U.S. National Book Award for Fiction.
McDermott is Johns Hopkins University's Richard A. Macksey Professor of the Humanities.
Bio from Wikipedia, the free encyclopedia. Photo by Wes Washington (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the writing insightful and descriptive. They describe the book as well-written with interacting storylines. The characters are richly developed as distinct individuals with distinct personalities. Readers appreciate the vivid imagery and detailed descriptions of the everyday lives of women in this historical period. The morality and faith themes are fascinating to them.
AI-generated from the text of customer reviews
Customers praise the writing quality of the book. They find the characters well-drawn and the prose luminous. The novel explores the inner thoughts of the nuns in a subtle yet profound way. The descriptions are vivid but not overly wordy, and the author captures human feelings and the Irish spirit with her portrayal.
"...I highly recommend this to anyone who adores great writing and the book is very appealing to both men and women readers...." Read more
"...And the main characters ultimately prove to be multi-faceted and fairly complex, giving the story a mystery that is unexpected early on...." Read more
"...The novel deftly explores the inner thoughts of the nuns of the Little Nursing Sisters of the Sick Poor who walk the streets of Brooklyn aiding the..." Read more
"...For readers of family sagas, spiritual insights or just to be immersed in early 20th century characters and scenes.Don't miss it!" Read more
Customers enjoy the book's readability. They find it interesting with interacting storylines. The book is described as powerful, realistic, and enjoyable. Readers appreciate the well-reported stories and characters' plights. Overall, they describe it as a fine piece of work from an excellent author.
"...At the end of this wonderful book the reader will come away with a feeling of hope and anyone with a heart will fall in love with many of the..." Read more
"...In this case I found a very competent read by a highly accomplished author, but not the excitement of discovery I had hoped for...." Read more
"Great work from this wonderful author. Timeless themes are presented in the simplest, purest descriptions of gestures or facial expressions...." Read more
"...did not relate in any way to this novel but I did find it a somewhat interesting read...." Read more
Customers find the characters well-developed with distinct personalities. They describe the nuns as real people, not saints. The story is beautifully written with regular character epiphanies.
"...of early 20th century Brooklyn are superbly drawn and all the characters ring true and believable...." Read more
"...The characters are skillfully filled out but a little packaged, much like the subjects of a Normal Rockwell painting, but with a lot more gravitas...." Read more
"...nuns, as well as a host of others characters, weird and fascinating personalities...." Read more
"This is beautiful writing that gives you a good sense of the characters and their relationships, the times in which they live, and the places where..." Read more
Customers appreciate the book's visual style. They find the prose detailed and vivid, with realistic characters. The author depicts a time and culture beautifully, providing a good look at convent life in that period. Readers describe the writing as refreshing and subtle, with fine scenes and settings.
"...Timeless themes are presented in the simplest, purest descriptions of gestures or facial expressions...." Read more
"Stunning and beautifully written, this is a book about our connection to each other. Nothing in life is random...." Read more
"...scenes and the emotions shown by the characters were entertaining, realistic and interesting in themselves, but unfortunately did not work together..." Read more
"...Ms. McDermott evokes the place and era with such skill that I feel I've been there...." Read more
Customers find the book's morality fascinating and relatable. They appreciate the theme of compassion, faith, and selflessness. The book explores the sacred and profane, sin and redemption. Readers enjoy the writing style and characters. Overall, it's a heartfelt and believable trip back in time.
"...There are many different takes on issues of morality, perhaps best summed up by the Sister Jeanne perspective: “Sister Jeanne believed that fairness..." Read more
"...They selflessly and tirelessly protect and take care of the poor and neglected parishioners...." Read more
"...This is a book about faith and family, love and lust, and sin and redemption...." Read more
"...every one in my mind’s eye and loved each of them feeling empathy, sympathy, exasperation, sadness and even humor...chuckling at times as the nuns’..." Read more
Customers find the religious content in the book engaging. They appreciate the nuns' sacrifices and dedication to the community. The characters are described as unique and giving, with their own personalities. Readers also mention that the story is about a mother and daughter saved by the nuns.
"...This book is a true rarity and a real gem. I simply loved it!!!! ASTONISHING!! GREAT!!!!" Read more
"Great work from this wonderful author. Timeless themes are presented in the simplest, purest descriptions of gestures or facial expressions...." Read more
"...The Ninth Hour explores questions of sacrifice for others, how much we owe or do not owe others...." Read more
"...faults, and failures in the constant struggle for piety and devotion to God’s will...." Read more
Customers have mixed opinions about the story quality. Some find the book interesting with interacting storylines and descriptive storytelling. Others feel the storytelling is complicated and confusing, with a lack of plot and blurry characters.
"...A very HUMAN story with so many sensational parts to it that it is hard to pick a favorite section...." Read more
"...It is a book of descriptive storytelling and the author creates scene after scene that instill a down to earth familiarity akin to that created by..." Read more
"...the joy of reading the book, a wealth of rich prose that helps carry the unwinding plot which takes one over a generation and introduces us to Sally..." Read more
"...on that if it were not for the lack of plot, which results in a haphazard narrative, dubious character motivations, and a general failure to create..." Read more
Customers have different views on the pacing of the book. Some find it fast and immediate, while others feel it starts slowly and drags in the middle. The story doesn't follow a linear path, but jumps around in time.
"...The story starts very slowly and takes some time to build up steam...." Read more
"This is a sensational piece of storytelling. The pacing is terrific and the book just zooms along...." Read more
"...The progression of the story wasn't linear, but jumped around in time. The story telling was complicated and confusing...." Read more
"...But, it was slow at times, with very little action...." Read more
Top reviews from the United States
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- Reviewed in the United States on November 18, 2022This is a sensational piece of storytelling. The pacing is terrific and the book just zooms along. It's one of those rare novels where you want to find the time to read it cover-to-cover without interruption. The atmospherics of early 20th century Brooklyn are superbly drawn and all the characters ring true and believable. A very HUMAN story with so many sensational parts to it that it is hard to pick a favorite section. Particularly gripping is the telling of a young girl's train journey when she is heading from New York to Chicago. The reader feels immersed in the entire experience from the young woman's perspective and the writing is extremely skillful here in this particular section. I honestly really prefer the "old classics" ala Dickens, James and Austen and I VERY rarely enjoy any of the "new" writers but Ms. McDermott is on a highly elevated plane. One is simply awestruck by her wonderful writing. I highly recommend this to anyone who adores great writing and the book is very appealing to both men and women readers. At the end of this wonderful book the reader will come away with a feeling of hope and anyone with a heart will fall in love with many of the characters in here. This book is a true rarity and a real gem. I simply loved it!!!! ASTONISHING!! GREAT!!!!
- Reviewed in the United States on September 28, 2017I often wander out of my preferred genres in the hope that I will discover a new vein of literary gold. In this case I found a very competent read by a highly accomplished author, but not the excitement of discovery I had hoped for.
The story unfolds in Brooklyn in the early 20th century, bouncing around, but in an organized way, between three generations of well-developed and interesting characters. At the center of it all are the Little Nursing Sisters of the Sick Poor who live in the gritty neighborhood and administer to its needs.
The characters are skillfully filled out but a little packaged, much like the subjects of a Normal Rockwell painting, but with a lot more gravitas. A few are stereotypical but never clichéd. And the main characters ultimately prove to be multi-faceted and fairly complex, giving the story a mystery that is unexpected early on.
It is a book of descriptive storytelling and the author creates scene after scene that instill a down to earth familiarity akin to that created by Jan Karon in the deservedly beloved Mitford series.
The book is written from the feminine perspective but does not play gender favorites. There are many different takes on issues of morality, perhaps best summed up by the Sister Jeanne perspective: “Sister Jeanne believed that fairness demanded this chaos [the suffering that is life] be righted. Fairness demanded that grief should find succor, that wounds should heal, insult and confusion find recompense and certainty, that every living person God had made should not, willy-nilly, be forever unmade.” Life, in the end, is difficult, but ultimately reasoned.
That perspective of morality does, however, lead to some actions and their aftermath, or lack thereof, that stretch the reader’s ability to suspend disbelief. Or at least mine. My own life hasn’t been harder, but it has been messier.
There is also a strong theme of love and, as in the case of morality, it takes many shapes and forms. All, however, are candidly honest and not romanticized into fantasy. Solid, down to earth, and the kinds of love every reader can relate to.
The story starts very slowly and takes some time to build up steam. To some extent, however, I think that is common to the brand of descriptive narrative employed. By the finish you’re reading along at a brisk trot.
In the end I gave the book a four not because I enjoyed it that much but because fans of this author surely will. The writing is very strong. It didn’t tickle my own literary fancy but that’s okay. It was a good read nonetheless.
- Reviewed in the United States on June 18, 2019In The Ninth Hour’s last chapter Sister Jeanne opens with a paragraph on the ill effects of wearing an itchy old coat and the freedom one finds in casting it aside when indoors-a metaphor for heaven. It is told whimsically, and I could imagine a Sister Jeanne telling the story to the family of Sally, who spent her youth, with her mother Anne, working at a local Catholic convent after the tragic death of Anne’s husband. The paragraph, rich in description, reminded me of the joy of reading the book, a wealth of rich prose that helps carry the unwinding plot which takes one over a generation and introduces us to Sally’s grandparents, brings in a Civil War story, while ending with her son.
The novel deftly explores the inner thoughts of the nuns of the Little Nursing Sisters of the Sick Poor who walk the streets of Brooklyn aiding the distressed Irish Catholic population. Their decisions, superstitions, fears and pasts are presented in such a way that one values their kindness and dying breed. It is a quiet novel but not a shallow one.
Throughout I felt I was watching these nuns and those they served, but could not enter in. Humorously I watched a community theater production of Sister Act in-between chapters and thought of this: I watched the characters dream, grow and make decisions affecting others, but remained an outsider.
The book is narrated by both Sally’s son and an omniscient narrator, which works for the story although is a bit disjointed at the end, and I didn’t think the book ended strongly. These are moving stories of flawed people taking care of flawed others in a heroic manner, but I wanted more from the story; after all, I read it all as if it were on stage.
- Reviewed in the United States on August 7, 2023Great work from this wonderful author. Timeless themes are presented in the simplest, purest descriptions of gestures or facial expressions. Sacrifice whether physical or emotional is explored as a goal not a punishment. The language carries the reader along on a light breeze. For readers of family sagas, spiritual insights or just to be immersed in early 20th century characters and scenes.Don't miss it!
Top reviews from other countries
- Amazon CustomerReviewed in the United Kingdom on May 9, 2024
5.0 out of 5 stars Excellent service.
Excellent book.
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Simone JourdanReviewed in France on August 1, 2019
5.0 out of 5 stars La neuvième heure, prix Femina du meilleur livre étranger.
Excellent livre qui mérite vraiment son prix Femina du meilleurs livre étranger. Il est traduit en français sous le titre "la neuvième heure" et la traduction est excellente. C'est une œuvre originale, le cadre du couvent de femmes est peu courant. Ne pas se laisser décourager par un début plutôt noir !
- SnapdragonReviewed in Australia on November 14, 2017
5.0 out of 5 stars Beautiful
The unnamed "we" of the narrator are the adult children of Sally and Patrick Tiernan, recalling in vivid depth the lives of Sally, the Tiernans, and Sally's mother Annie, who was widowed while Sally was still in the womb. It's also the story of the heroic nuns who nursed the sick poor way back when in Brooklyn: of their kindness to Annie and Sally, their care of the embittered Mrs Costello who is minus half a leg, and others. Priests are described as "mama's boys", a greedy bishop has his eye on the nuns' convent, and we hear the story of the lying French priest who claimed he had set up the ministry for outcast women that was in fact founded by a woman. The narrator notes that even then, the kind of service that the nuns gave, relying on "sacrifice and delusion", was on its way out. The novel ends with Sister Jeanne describing heaven with a lyrical Irish simile, while mysteriously declaring that she won't be going there. A beautiful window on a time gone by, with thoughts on what life is, and is for, that will always be true. Alice McDermott is a top class author.
- SabinaReviewed in the United Kingdom on August 24, 2024
4.0 out of 5 stars Life in early 20th century Brooklyn
Not a fast-moving novel, but an attractively written story of the early widowed Anne and her daughter Sally who are aided by the Little Nursing Sisters of the Sick Poor. Sally grows up inspired by them and wonders if she should join the order. The nuns are individual characters and robust in engaging with the realities of those badly in need of some practical human assistance. The sense of a Brooklyn community, both lay and religious is atmospherically depicted in beautifully vivid scenes. When Sally becomes 18, she has to make key decisions about her life, and an unexpected sort of train ride to Chicago becomes the catalyst for her decisions. I did find, as some others have said, that I sometimes wondered who was the main character of the novel, but by the end I appreciated the whole and several scenes have stayed with me in a way that I don't find with novels which are quite a good read on the whole, but soon forgotten.
- Amazon CustomerReviewed in Canada on March 31, 2020
4.0 out of 5 stars Educational
While this book wasn't a "gripping, compelling read", it was interesting. I could "see" and "hear" all the main characters easily in my mind. I thought it was very educational about that particular time in our history.