This issue also happens to come around at a very convenient time in terms of the overarching story structure. Batman #29 left readers with a major cliffhanger, as Batman contemplated which of the two sides in this war to ally himself with. That answer is revealed here. But at the same time, framing the story from Kite Man's point of view keeps the Caped Crusader at a useful distance. We don't know what Batman is thinking or feeling as he joins forces with the lesser of two evils. That makes his decision all the more fascinating, especially as his plans become clearer. It really does feel like Batman will emerge as the true villain of this storyline, which alone may justify the unusually lengthy approach King has taken here.
Mann and colorist Jordie Bellaire continue to shine, crafting an issue that feels both distinct from the other chapters of "The War and Jokes and Riddles" and a cohesive part of the larger whole. Bellaire elegantly sets the mood on every page, creating a Gotham that feels desolate and oppressive, as if the war has left only a handful of costumed survivors roaming a haunted wasteland. And Mann's precise, detailed pencils mesh very nicely with King's ordered
methodical approach to structuring his stories. Mann thrives working with a wide range of Batman villains, but his work truly shines in the final pages, which feature a terrifically emotional, steadily paced payoff to Kite Man's plight.
![Batman [2016 - Current]](https://assets2.ignimgs.com/2016/06/14/batman-1cover-artjpg-bf683c.jpg?width=114&auto=webp)
