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Fencing the Sky
From critically acclaimed author of The Meadow comes a haunting novel of the American West.
Circumstances spiral out of control when an accidental murder springs from the best intentions. With one man dead and another on the run, this is a story about violence and how it destroys lives when the land is at stake. This lyrical first novel--long-awaited by the many admirers of James Galvin's The Meadow--is nothing less than the story of the disappearance of the American West.
Circumstances spiral out of control when an accidental murder springs from the best intentions. With one man dead and another on the run, this is a story about violence and how it destroys lives when the land is at stake. This lyrical first novel--long-awaited by the many admirers of James Galvin's The Meadow--is nothing less than the story of the disappearance of the American West.
258 pages, Paperback
First published January 1, 1999
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Displaying 1 - 30 of 55 reviews
November 26, 2014
It's rare for me to finish a book quickly. Sometimes it's the author's fault when I don't but usually it's because I find other things to do. When I gulp one down in 24 hours, though, I give full credit to the writer.
In this case, James Galvin.
I'd been on the lookout for his THE MEADOW, so when I came across FENCING THE SKY in a used bookstore, I brought it home and got roped in immediately by the opening scene in which Mike, a struggling small-time rancher, lassos a rapacious developer neighbor who's harassing the cattle he's trying to round up. The rope breaks the ATV-riding neighbor's neck, and while the man's death isn't an outright murder, neither is it an accident.
Mike leaves a note on the body taking responsibility and then takes flight on horseback.
The rest of the novel tells the story of his ride through parts of Colorado and Wyoming, expecting things to end badly, but in a way of his choosing. He's trailed by an Indian acquaintance who takes his job as finding Mike, not necessarily capturing him.
The narrative jumps around in time to tell the back story of Mike and the other characters—all of whom are wrapped up in the changes occurring in the mountain west as ranching devolves from a way of life to a lifestyle for wealthy men.
As Galvin somewhat unnecessarily states through a character brought out for the purpose: "the American West had two things to lose, its distinctive, horse-based, non-progress-oriented culture, and its natural environment."
So many novels about the West deal with this same theme, the way college novels feature horny professors. All of them are about loss; the difference is in how deeply they make you feel it.
I'd put FENCING THE SKY at the deep end.
In this case, James Galvin.
I'd been on the lookout for his THE MEADOW, so when I came across FENCING THE SKY in a used bookstore, I brought it home and got roped in immediately by the opening scene in which Mike, a struggling small-time rancher, lassos a rapacious developer neighbor who's harassing the cattle he's trying to round up. The rope breaks the ATV-riding neighbor's neck, and while the man's death isn't an outright murder, neither is it an accident.
Mike leaves a note on the body taking responsibility and then takes flight on horseback.
The rest of the novel tells the story of his ride through parts of Colorado and Wyoming, expecting things to end badly, but in a way of his choosing. He's trailed by an Indian acquaintance who takes his job as finding Mike, not necessarily capturing him.
The narrative jumps around in time to tell the back story of Mike and the other characters—all of whom are wrapped up in the changes occurring in the mountain west as ranching devolves from a way of life to a lifestyle for wealthy men.
As Galvin somewhat unnecessarily states through a character brought out for the purpose: "the American West had two things to lose, its distinctive, horse-based, non-progress-oriented culture, and its natural environment."
So many novels about the West deal with this same theme, the way college novels feature horny professors. All of them are about loss; the difference is in how deeply they make you feel it.
I'd put FENCING THE SKY at the deep end.
September 4, 2017
Elegantly written new-fashioned Western, funny, angry, poignant. Only drawback is the frequent back and forth in time, losing narrative momentum as a result.
April 21, 2012
James Galvin is a poet, and his vision of the people who inhabit the land where this story takes place is also poetic. Instead of a straightforward narrative from beginning to middle to end, it intermingles scenes from the lives of several characters told in flashbacks and flashforwards, all sequenced along the spine of a single plot line that involves the pursuit of a fugitive who has killed another man.
The location is northern Colorado and parts of Wyoming extending through the Great Divide Basin and northward into the mountains. The main characters are men with ties to the land -- a rancher, a cowboy, a doctor. Each is witness in his own way to the passing of the rural West and its replacement by land developers and the mining and logging industries.
They are also remnants of a code of honor that respects hard work, the individual, the land and its wildlife, and the values of courage, loyalty, and generosity. In particular, Galvin captures the nuances of friendship between these very individual men and the way matters of concern to them are often lightened with ironic and self-deprecating humor. I enjoyed this book and found myself caring very much for the welfare of its fugitive protagonist.
I recommend this novel to anyone with an interest in the modern West. As a companion book, I'd also recommend Frank Clifford's nonfiction book "Backbone of the World: A Portrait of a Vanishing Way of Life Along the Continental Divide," which finds many of the same kinds of people from real life and explores in greater depth many of the land use issues raised by Galvin's book. As of this writing, "Fencing the Sky" seems to be going out of print. I'm hoping that it reappears shortly in paperback and has a new life for new readers in that format.
The location is northern Colorado and parts of Wyoming extending through the Great Divide Basin and northward into the mountains. The main characters are men with ties to the land -- a rancher, a cowboy, a doctor. Each is witness in his own way to the passing of the rural West and its replacement by land developers and the mining and logging industries.
They are also remnants of a code of honor that respects hard work, the individual, the land and its wildlife, and the values of courage, loyalty, and generosity. In particular, Galvin captures the nuances of friendship between these very individual men and the way matters of concern to them are often lightened with ironic and self-deprecating humor. I enjoyed this book and found myself caring very much for the welfare of its fugitive protagonist.
I recommend this novel to anyone with an interest in the modern West. As a companion book, I'd also recommend Frank Clifford's nonfiction book "Backbone of the World: A Portrait of a Vanishing Way of Life Along the Continental Divide," which finds many of the same kinds of people from real life and explores in greater depth many of the land use issues raised by Galvin's book. As of this writing, "Fencing the Sky" seems to be going out of print. I'm hoping that it reappears shortly in paperback and has a new life for new readers in that format.
July 9, 2014
James Galvin is a renowned writer who has written six volumes of poetry as well as two novels: [b][i]The Meadow[\b][\i] and [b][i]Fencing the Sky[\b][\i]. Whilst I’m not familiar with Mr Galvin’s poetry (yet), his novels read like an extended poem, conveying a sharp and uncluttered image of the land and people he is describing. The writing is sparse but not bleak – not a word or phrase is wasted. His poems have been described as having “a profound sense of place” and that is certainly true of his novels too. Raised in Northern Colorado and living in Wyoming, Galvin’s love of and responsibility towards this land are obvious. His characters are simple but not stupid. They inhabit a beautiful but unforgiving landscape. They encounter tragedy, loss, betrayal, love, joy, anger, laughter with the same stoic approach that makes self-pity unthinkable.
[b][i]Fencing the Sky[\b][\i] is the story of three men: Mike, Oscar and Ad who live on the land, love it and are held hostage by it. It is also the story of ranching in the West and the changes forced upon it by the changing times, politics and economics, the conflict between rancher and environmentalist who love and respect the land equally if differently, and the rapacious developers and “city folk” who don’t. In the words of Oscar, “So I’m not complaining. I don’t mind the work. Just let me do it. I don’t mind being invisible. I just don’t want to disappear.”
[b][i]Fencing the Sky[\b][\i] is the story of three men: Mike, Oscar and Ad who live on the land, love it and are held hostage by it. It is also the story of ranching in the West and the changes forced upon it by the changing times, politics and economics, the conflict between rancher and environmentalist who love and respect the land equally if differently, and the rapacious developers and “city folk” who don’t. In the words of Oscar, “So I’m not complaining. I don’t mind the work. Just let me do it. I don’t mind being invisible. I just don’t want to disappear.”
September 25, 2010
This is one of those perfect books that makes it difficult to pick up anything else afterwards.
Though it's a novel, this is a nice companion book to James Galvin's classic, the Meadow. You could almost think of it as part II as the time is closer to the present, and the end of the Meadow, at which point open land is being parceled and essentially destroyed, is the beginning of this book.
The book has an almsot Edward Abbey feel to it in terms of the changing landscape and different groups fighting over the same area. But where Abbey's concepts and ideas rise to the top, overpowering his writing style, James Galvin treats each word with the same care and warmth that he gives to his overarching theme.
Another great writer, Tom Spanbauer, says that every writer has to do three things with readers: "Teach them something, make them laugh, and break their hearts." This book will teach you about ranching and the American West, make you laugh your ass off with character descriptions and wild tales, and if it doesn't break your heart, your blood must be pumping through something harder than the granite under Wyoming's soil.
Though it's a novel, this is a nice companion book to James Galvin's classic, the Meadow. You could almost think of it as part II as the time is closer to the present, and the end of the Meadow, at which point open land is being parceled and essentially destroyed, is the beginning of this book.
The book has an almsot Edward Abbey feel to it in terms of the changing landscape and different groups fighting over the same area. But where Abbey's concepts and ideas rise to the top, overpowering his writing style, James Galvin treats each word with the same care and warmth that he gives to his overarching theme.
Another great writer, Tom Spanbauer, says that every writer has to do three things with readers: "Teach them something, make them laugh, and break their hearts." This book will teach you about ranching and the American West, make you laugh your ass off with character descriptions and wild tales, and if it doesn't break your heart, your blood must be pumping through something harder than the granite under Wyoming's soil.
August 16, 2020
"He wanted her to experience the kind of conversation with nature that agriculture is: you ask a question and wait, maybe decades, for the answer. Maybe the answer is no"
I think this quote descirbes the book. It's about the relationship of men and nature, how they work together, communicate, and how nature talks back. And not only metaphorically speaking, sometimes Galvin does this: "They tied their horses to a wizened cedar tree that sang a dry song in the wind"
All the descriptions are full of poetry, not corny, it's never forced, it's always natural and meaningful.
Also I liked that Lyle, from The Meadow is mentioned a couple of times.
I think this quote descirbes the book. It's about the relationship of men and nature, how they work together, communicate, and how nature talks back. And not only metaphorically speaking, sometimes Galvin does this: "They tied their horses to a wizened cedar tree that sang a dry song in the wind"
All the descriptions are full of poetry, not corny, it's never forced, it's always natural and meaningful.
Also I liked that Lyle, from The Meadow is mentioned a couple of times.
November 18, 2020
James Galvin knows how to write. The book reads a lot like how Wyoming feels. Galvin doesn’t waste words, and has the good poet’s ability to describe settings, characters and emotions with just the right amount oomph. If you’re a fan of “All the Pretty Horses” or Kent Haruf, I’d say check this book out.
February 8, 2019
The ranching way of life is disappearing from the Colorado Front Range as the area becomes another urban megalopolis, and "Fencing the Sky" is a lamentation for that loss and a celebration of the independent, land-based agrarian lifestyle that dominated the north-central Colorado/southeast Wyoming border for a century. The narrative focuses on Mike, an East Coast dropout who moves to the area and becomes a bona fide cowboy. In the first chapter, Mike kills a land speculator and the book traces Mike's escape into the remaining wild country to the west and north. In addition to tracing Mike's journey, the book follows the lives of two of his rural neighbors who grudgingly come to accept Mike's expertise as a cowboy: Ad, an emergency room physician, and Oscar, a veterinarian, both of whom are also ranchers. The book is told through a series of short anecdotes that jump around in time and space; though the anecdotes are anchored by dates, the structure is confusing. I recently moved to the area just south of where the book is set; the setting "feels" authentic and the locations in the book are real places. There is a lot of violence and unhappiness in the book; they, too, feel authentic, but don't leave a positive aftertaste.
March 28, 2020
In 2013, while finishing up my undergrad at BYU, I enrolled in "The American Novel" with Prof. Dennis Cutchins. I took the class on a whim and, looking back, I think it was the only English class I ever took in college. Which now strikes me as odd and a shame. The American Novel not only became my favorite course—excluding music ensembles, which never really felt like classes in the academic sense—but it proved to have the most lasting effect.
The course took as its theme Liminal Spaces: all the novels we read observed the Traveler navigating uncertainties in strange lands and in-between places. And so we followed John Grady Cole to Old Mexico, Ishmael out of the ports of Nantucket, Holden Caulfield through New York City, and half a dozen other sojourners across unknown frontiers.
At the end of the semester, Prof. Cutchins gave us a list of a dozen or so books that hadn't quite made the cut for that semester's syllabus. I decided to read them all. It's taken me longer than expected. Some of them were hard to track down. This was the last of them.
I found it well-written but unremarkable (two stars it was okay). It didn't speak to me, but it might speak to you.
The course took as its theme Liminal Spaces: all the novels we read observed the Traveler navigating uncertainties in strange lands and in-between places. And so we followed John Grady Cole to Old Mexico, Ishmael out of the ports of Nantucket, Holden Caulfield through New York City, and half a dozen other sojourners across unknown frontiers.
At the end of the semester, Prof. Cutchins gave us a list of a dozen or so books that hadn't quite made the cut for that semester's syllabus. I decided to read them all. It's taken me longer than expected. Some of them were hard to track down. This was the last of them.
I found it well-written but unremarkable (two stars it was okay). It didn't speak to me, but it might speak to you.
March 29, 2020
Where Galvin's The Meadow described a way of life gone by, Fencing the Sky describes a way of life endangered, but not entirely gone. It opens with a murder with the narrative move forward and back in time as we learn more about Mike, who committed the murder and why and about the evil developer he murdered. I learned a lot about Wyoming ranch life and was moved by his loving descriptions of the land and his admiration for those who run their ranches upon it.
November 19, 2019
I so much wanted to give this book four stars. The region of Northern Colorado/Southern Wyoming is a place where I spent the greater part of the first quarter of my life. Unlike The Meadow where the description of the landscape was matched by the richness of the characters and compelling story, this book leaves too many deadends in story and character development. The polemic overtakes the art.
August 25, 2021
4 stars for the story, 2 stars for the format. I enjoyed the story as a whole, but the choppiness of the story was not helpful. If the story had gone back and forth in the timeline in bigger portions, and if the current time sections had at least something indicating the change of time, it would have been a much smoother read.
January 28, 2018
An atmospheric, poetic elegy to the last of the cowboys. It's sense of place is the best thing about it.
September 15, 2018
Not gay enough for a cowboy book... but that part about Potatoes being a "once in a life time horse" hit home yo
December 20, 2020
Much darker than The Meadow
This entire review has been hidden because of spoilers.
April 8, 2012
A modern western that shines a light at what exactly that means now. The main tension, as ever, lies in the changing nature of the landscape. There's a new type of settler - the 40 acre ranchette owner - at odds with the stewardship and recent history of the land. Only there's no simple blame, them being as much duped into their situation by developers and the larger American dream.
The novel setup mainly follows the horseback trek of Mike Arans after the mostly accidental killing of developer Snipes. Keeping the flashbacks of three different people straight with the narrative took some doing so I wasn't really hooked until the middle of the novel. But the memories add up and allow for the later actions and motivations of the characters to seem inevitable, like the seasons.
Underlying it all it seemed like there was a frustration with this inevitability that manifested in a brief vignette meeting were the differing viewpoints were all in the same room. Reminded me of my old job - ranchers and environmentalists - and what an impasse occurs when neither is willing to budge. Or to speak in ways that the other understands.
I liked this observation, "Generally speaking, one finds more wildlife diversity on a large, well-managed ranch than one finds in a national park. The dominant species in a national park, as in a zoo, is people." Quite true.
'Course there was tons of beautiful descriptions of the land, one of my main reasons for reading westerns, to get sucked into the nature and beauty of a place and living in a rhythm with that. "Holding the six-pack on his pommel, Mike pushed the mare into a lope-the first time in days he'd been out of a walk-down into the huge palm of the Great Divide Basin that was all pale red and blue and green and yellow. It was like riding into a tangible sky. He joyed in the young horse's power. He felt invincible as he loped her over the soft million-year-old seabed."
I'd love to meet Oscar. "Knowing that superhuman levels of compassion, courage, endurance, and morality were possible served to raise people's behavior to a higher standard. Imagine what people would be like without stories to guide them." Imagine indeed.
The novel setup mainly follows the horseback trek of Mike Arans after the mostly accidental killing of developer Snipes. Keeping the flashbacks of three different people straight with the narrative took some doing so I wasn't really hooked until the middle of the novel. But the memories add up and allow for the later actions and motivations of the characters to seem inevitable, like the seasons.
Underlying it all it seemed like there was a frustration with this inevitability that manifested in a brief vignette meeting were the differing viewpoints were all in the same room. Reminded me of my old job - ranchers and environmentalists - and what an impasse occurs when neither is willing to budge. Or to speak in ways that the other understands.
I liked this observation, "Generally speaking, one finds more wildlife diversity on a large, well-managed ranch than one finds in a national park. The dominant species in a national park, as in a zoo, is people." Quite true.
'Course there was tons of beautiful descriptions of the land, one of my main reasons for reading westerns, to get sucked into the nature and beauty of a place and living in a rhythm with that. "Holding the six-pack on his pommel, Mike pushed the mare into a lope-the first time in days he'd been out of a walk-down into the huge palm of the Great Divide Basin that was all pale red and blue and green and yellow. It was like riding into a tangible sky. He joyed in the young horse's power. He felt invincible as he loped her over the soft million-year-old seabed."
I'd love to meet Oscar. "Knowing that superhuman levels of compassion, courage, endurance, and morality were possible served to raise people's behavior to a higher standard. Imagine what people would be like without stories to guide them." Imagine indeed.
September 4, 2009
Not "The Meadow," but still a fine work about the West. And similar in that, though this book is much more plot-driven, it weaves an intricate web of times and connections. Can't help but relate this strange web of vignettes to a broken fence--I blame the evocative title, which, as I read, changed its meaning from, at first blush, a negative fence, to a more quixotic one: try as these ranchers may, they're losing the battle to keep their West intact, the one where good neighbors mend--and close!!--fences.
I felt some of the anger that motivates the opening murder during Galvin's many descriptions of the ranchetteers, who like customer service representatives are purposefully kept stupid by the bigwigs. So really you can only feel more frustration than anger because these people are victims as well. These conflicts remind me of the mesas here around Telluride, CO, and the array of characters--and their attendant egos--that make-up all HOAs.
The main characters, ultimately, propelled me through the book. I needed to find out the murderer's reckoning. Mike felt like an Ed Abbey character to me, like Hayduke's deceptively calmer cousin. Ad's ruminations often read like sections from "The Meadow." Snipes could have stepped out of a modernized--but still backwards--Faulkner story. Which is all to say, vivid characters abound.
I felt some of the anger that motivates the opening murder during Galvin's many descriptions of the ranchetteers, who like customer service representatives are purposefully kept stupid by the bigwigs. So really you can only feel more frustration than anger because these people are victims as well. These conflicts remind me of the mesas here around Telluride, CO, and the array of characters--and their attendant egos--that make-up all HOAs.
The main characters, ultimately, propelled me through the book. I needed to find out the murderer's reckoning. Mike felt like an Ed Abbey character to me, like Hayduke's deceptively calmer cousin. Ad's ruminations often read like sections from "The Meadow." Snipes could have stepped out of a modernized--but still backwards--Faulkner story. Which is all to say, vivid characters abound.
March 18, 2010
My mother would have loved this book for its quirky, individualistic characters and for the many geographical references to the Colorado/Wyoming border country she so loved.
I'm enjoying the book, however, the piecemeal bytes about the many characters and the disjointed time line bug the heck out of me. It feels like watching a two-hour collection of unedited, hand-held camera shots. I figured that by the time I was half way through the book, I would have begun to understand the cuts and to keep the characters straight. Not. I reserve final judgement, but at this point I believe that the structure of the book suffers because of the overly jumbled time line.
Okay. So I have finished the book. I'm torn in my analysis. I gave it three stars because I did not "enjoy" this book much. That said, Galvin addresses many timely topics and explores some interesting philosophical ideas in this book. I will not spoil, other than to say I hated one aspect of the ending...but not the entire ending... You'll just have to read it to find out what I'm talking about.
I'm enjoying the book, however, the piecemeal bytes about the many characters and the disjointed time line bug the heck out of me. It feels like watching a two-hour collection of unedited, hand-held camera shots. I figured that by the time I was half way through the book, I would have begun to understand the cuts and to keep the characters straight. Not. I reserve final judgement, but at this point I believe that the structure of the book suffers because of the overly jumbled time line.
Okay. So I have finished the book. I'm torn in my analysis. I gave it three stars because I did not "enjoy" this book much. That said, Galvin addresses many timely topics and explores some interesting philosophical ideas in this book. I will not spoil, other than to say I hated one aspect of the ending...but not the entire ending... You'll just have to read it to find out what I'm talking about.
February 14, 2012
A text about how lives are forged from the accretion of seemingly isolated events, Fencing the Sky is a powerful reminder of how land, in every aspect, dictates life in the American West. At the core of the novel is Mike Arans’s flight on horseback, the consequence of a mostly accidental murder. We piece together the larger import of the story via fragments of lives and actions spanning the fifty years prior, and in doing so we see not only why Mike was compelled to act in the manner that he did, but, more broadly, we witness a violent change to the way of life in this Northern CO / Southern WY valley. In addition to Galvin’s lyrical skills, Fencing the Sky is perhaps most impressive in its ability to at once show us the devastation of such rapid change as well as the danger (and futility) in being wholly unwavering in the face of such an inevitable shift.
January 27, 2012
I had a hard time reading it, much slower than my usual reads. That said, I think the author does a good job of evoking the emotions in the book through his words--in that sense it reminded me of Blindness. I think this is a good book for someone who likes the western genre and non-chronological story lines with some political soapbox thrown in for good measure.
I loved Mike's story and had the book just been Mike's story, with some of his friend's subplots, I would have enjoyed it much more. I would have enjoyed hearing more about the women, but they are more things that the male characters react to, than characters themselves.
I did give my book to a friend who grew up in Laramie, and I hope to visit the Sink/Rise someday.
I loved Mike's story and had the book just been Mike's story, with some of his friend's subplots, I would have enjoyed it much more. I would have enjoyed hearing more about the women, but they are more things that the male characters react to, than characters themselves.
I did give my book to a friend who grew up in Laramie, and I hope to visit the Sink/Rise someday.
November 25, 2008
What a great find! Fencing the Sky is a classic tale of the west. Those who enjoyed Cormac McCarthy's Border Trilogy and Larry McMurtry's Lonesome Dove will find much to appreciate in Fencing the Sky... but this time the story is a modern one. Here, people looking to escape the chaos of city life bring with them the development that ruins the peacefulness of the landscape that brought them there in the first place. James Galvin is first a poet, and it shows in this novel. His writing is beautiful and measured as he unravels this unforgettable tale of men, murder, and land.
Recommended by Liz, Powells.com
Recommended by Liz, Powells.com
January 9, 2011
The author is a poet who lives along the Wyoming-Colorado border. This, his first novel, tells of the clash between old time ranchers and the new 20 acre ranchette weekenders. The characters are well drawn, the plot carries you along, and the ending is completely unexpected and believable. The story is told is short vignettes that jump back and forth in time. I didn't love this aspect but I may reread it at some point the better understand the chronology. The prose is tight and, for me at least, clear, vivid, and memorable. None of Annie Proulx's tortured sentences. Several of the images---"dark as the inside of a rock"---are still with me.
December 11, 2010
I read this when it was first published over a decade ago. I originally gave it 4 stars. The Meadow 5 stars. But I find this book about people ceding their hearts to a glorious, god given, but ultimately unforgiving landscape keeps haunting me. I have moved from an easy living, magnificent landscape in Oregon to the Wasatch Mountains of Utah. From 500 ft elevation to 5,800 feet. I am surrounded by stunning landscape, awesome critters and the ragged vestiges of people who have tried to "fence the sky." Yes... This book deserves 5 stars.
May 30, 2012
A story about the 'disappearing' West, though not disappearing, just changing. Built around a rancher who murders a developer in the opening paragraphs, the book is written in a series of flashbacks as it meanders to its conclusion. The main characters: rancher, vet, doctor, all have deep ties to the land. The developer is an opportunist, taking advantage of those who want to experience the West themselves. I must say that at first you are surprised the developer is killed, wondering why this was happening....by the end of the book, you get it.
October 21, 2008
Good story of the ranching area of Northern Colorado/Southern Wyoming changing from ranches to residential "40-acre ranchettes". The perspective of the men who were from the ranches was realistic, describing how they moved cattle in large, unfenced areas. Mr. Galvin described riding horses through the brush in ways that only a person riding a horse would know. The onset of a murder is an opening that keeps the reader very interested.
December 20, 2009
I have watched the encroachment of development across Colorado, so this book describes something I have witnessed. That familiarity drew my interest, but it was the writing that hooked me...
...pages 143 through 146 epitomizes all that writing is about. Those pages made the book for me. The gut wrenching emotion evoked in me by Galvins descriptions is immeasurable. My heart was ripped out in the span of three pages.
...pages 143 through 146 epitomizes all that writing is about. Those pages made the book for me. The gut wrenching emotion evoked in me by Galvins descriptions is immeasurable. My heart was ripped out in the span of three pages.
This entire review has been hidden because of spoilers.
November 6, 2007
I think I was able to love this book in spite of itself, and with the help of having read Galvin's poetry and The Meadow. The seams between poetry, nonfiction, fiction, and transitional voices are a little frankensteinish. Nonetheless, there's a deep need in this book characteristic of Galvin that I have a terrible stoft spot for.
January 18, 2012
Tremendous book. Stories within stories within stories, gasping surprises. I *loved* this book. What a (modern) western this is! I enjoyed it as much as I did Shane and Lonesome Dove. I didn't want this book to end. I loved the characters, I got angry along with them, sad with them. I rooted for them. Read this, read this. It's awesome.
November 6, 2013
For those who live in the middle of our nation and have witnessed the changes brought about by the oil boom or hollywoood's encroachment o urban development, this book will bring tears to your eyes and tug at every single heartstring you have. Galvin does a terrific job of developing a sense of place and I love his offbeat characters.
June 3, 2013
This will remain one of my all time favorite books. There are many paragraphs that I reread to glean out the beauty and truth. The story is the story of changes to the land, progress and destruction of the old. The characters are archetypes that we all are familiar with, sculpted into living forms. I am so glad that I read this book. James Galvin is a poet.
Displaying 1 - 30 of 55 reviews