The runways of Mercedes-Benz Fashion Week Australia 2017 presented a glorious display of resort wear collections by Australia’s most coveted designers, along with a few staples from a few up-and-comers. Here are 10 of the best of the best runway presentations hot off of the heels of fashion week that will fill the void, and our wardrobes, for the year to come.
Dion Lee Conquers the Sails
It was only a few years ago when Australian designer Dion Lee presented his first collection at Sydney’s famed Opera House. As such, it was fitting to see him return to his inaugural turf, for the fourth time, in the role of the honoured Mercedes-Benz Fashion Week Presents designer.
“Menswear is always something that I’ve drawn inspiration from and many of our women’s shapes have referenced men’s tailoring so it felt like a natural progression,” he says.
Michael Lo Sordo & Lady in Red
Inspired by artist Larry Bell’s installation, Pacific Red ll, designer Michael Lo Sordo sent his models through a pink perspex maze to present his Resort 17/18 collection, "Acceidential Secrétaire". The set featured strikingly bold reds, blacks, and pop pinks, high shine, and exposed hip bones.
Thomas Puttick Gives a Nod to Diversity
Thomas Puttick put up a delicate collection inspired by the work of artist Henning Von Gierke. What really stood out was the decision to opt for both models and non-models (read: politicos), from Labor MP Anne Aly, to UNHCR Ambassador Aminata Conteh-Biger.
A Whole Lot of Sass & Bide
Heavyweight Australian designers, Sass & Bide shipped in a custom installation of 1000-metre square "papier peu de dragon" fibre-glass paper from France. It was created inside the 130m square runway space to echo the dreamy architecture of Casa Batllo.
Bianca Spender's Freedom
The very free-flowing collection featured lilac trench coats, prince of wales jackets with voluminous sleeves. “It is this juxtaposition of ideas that compels me,” Spender says. “There is an unpredictability, it is not androgynous and masculine...it is my version of modern femininity.”
Ten Pieces at Icebergs
Back to basics for the alluring Ten Pieces, helmed by Maurice Terzini and partner, Lucy Hinkfuss. Against the back drop of Iceberg’s at Bondi Beach, the area in which the brand was born, the duo presented a raw collection of separates, black and terracotta hoodies, Ugg boots, street-style dropped crotches…
Poolside with Garrett Neff
Model and design rockstar Garrett Neff, opted for the serene back drop of the Andrew ‘Boy’ Charlton Pool in Sydney to showcase his latest Chesapeake Bay-inspired collection - Katama Resort 18.
“It’s about developing and reinforcing a strong signature that sets our clothes apart, that our customers can feel comfortable in, and come back for more, season after season,” Neff says.
Sustainably Sensational, Yousef Akbar
The colorful ode to sustainability that was designer Yousef Akbar’s resort wear collection was both magically surreal and at times confronting.
“I wanted to make sure that … my label needed to stand for something good,” Akbar says. “No exploitation of people, no harm to the environment. I wanted to create something where the value extends beyond the clothes.”
Frenchy Chic at Bec & Bridge
Preppy, polished, and very cheeky, the latest Matisse-inspired collection from Bec & Bridge was unveiled at the David Jones store in Sydney.
“We were drawn to his use of color, innovative use of light and layering,” says design duo Becky Cooper and Bridget Yorston.
The collection embodied the Bec & Bridge girl who oozes “a cool girl French attitude” embodied in bold colour, dramatic ruffles and sculptural detailing. “She has a sense youthfulness and isn’t afraid to break the rules and have fun,” they said.
Grande Finale with Romance Was Born
With disco blaring in the background, Australian designers Romance Was Born, pushed theatricality and gimmicky to a new level for a spectacular finale to Australian Fashion Week.
“We don’t set out with theatrics as a conscious decision,” says design duo Luke Sales and Anna Plunkett. “It just seems to be the natural progression for us, an extension of our clothes and ideas.”