Image of Derricotte Toi

Poet, educator, and memoirist Toi Derricotte has written six collections of poetry: "I": New and Selected Poems (2019), a 2019 National Book Awards finalist; The Undertaker’s Daughter (2011); Captivity (1989); Natural Birth (1983); Tender (1997), winner of the Paterson Poetry Prize; and The Empress of the Death House (1978), a collection that draws on her early experiences at her grandparents’ funeral home in Detroit. Her prose collection, The Black Notebooks (1997) won the Anisfield-Wolf Book Award for nonfiction. 

Derricotte is a recipient of the 2023 Pegasus Award for Service in Poetry. She has received numerous honors and awards for her collections of poetry and contributions to literature, including the Academy of American Poets’ 2021 Wallace Stevens Award; the 2020 Frost Medal from The Poetry Society of America for distinguished lifetime achievement in poetry; the Lucille Medwick Memorial Award from the Poetry Society of America; the Paterson Award for Sustained Literary Achievement; the PEN/Voelcker Award; two Pushcart Prizes; and fellowships from the National Endowment for the Arts, the New Jersey State Council on the Arts, the Guggenheim, and the Maryland State Arts Council. More than 1,000 of Derricotte’s poems have been published in magazines and journals, including American Poetry ReviewCallaloo, the New Yorker, and The Paris Review.

The poet Marilyn Hacker described Toi Derricotte’s poems as “honest, fine-honed, deceptively simple … deadly accurate, ‘more merciless to herself than history’ [and] as unique as her point of view. And it is the specificity, the fine observation of that viewpoint … which make[s] it at once accessible and revelatory to readers, whatever their origins, whatever their preconceptions of the possibilities of poetry.”

Derricotte was born in Hamtramck, Michigan, and earned a BA from Wayne State University and an MA in English literature from New York University. In 1996, she co-founded Cave Canem, an organization committed to furthering artistic and professional opportunities for Black poets, with poet Cornelius Eady. Cave Canem won the 2016 National Book Foundation’s Literarian Award for Outstanding Service to the American Literary Community. Derricotte served as chancellor of the Academy of American Poets from 2012–2017. She is a professor emerita at the University of Pittsburgh.

Shortened:

Poet, educator, and memoirist Toi Derricotte has written six collections of poetry: "I": New and Selected Poems (2019), a 2019 National Book Awards finalist; The Undertaker’s Daughter (2011); Captivity (1989); Natural Birth (1983); Tender (1997), winner of the Paterson Poetry Prize; and The Empress of the Death House (1978), a collection that draws on her early experiences at her grandparents’ funeral home in Detroit. Her prose collection, The Black Notebooks (1997) won the Anisfield-Wolf Book Award for nonfiction.

Derricotte is a recipient of the 2023 Pegasus Award for Service in Poetry. In 1996, she co-founded Cave Canem, an organization committed to furthering artistic and professional opportunities for Black poets, with poet Cornelius Eady. Cave Canem won the 2016 National Book Foundation’s Literarian Award for Outstanding Service to the American Literary Community. Derricotte served as chancellor of the Academy of American Poets from 2012–2017, and she is a professor emerita at the University of Pittsburgh.

Derricotte has received numerous honors and awards for her poetry and contributions to literature, including the 2021 Wallace Stevens Award; the 2020 Frost Medal for distinguished lifetime achievement in poetry; the Lucille Medwick Memorial Award; the Paterson Award for Sustained Literary Achievement; the PEN/Voelcker Award; two Pushcart Prizes; and fellowships from the National Endowment for the Arts, the Guggenheim, and other organizations. More than 1,000 of Derricotte’s poems have been published in magazines and journals, including American Poetry ReviewCallaloo, the New Yorker, and The Paris Review.

Bibliography

POETRY

  • The Empress of the Death House, Lotus Press (Detroit), 1978.
  • Natural Birth, Crossing Press (New York City), 198; Firebrand Books (Ann Arbor), 2000.
  • Captivity, University of Pittsburgh Press (Pittsburgh, PA), 1989.
  • Tender, University of Pittsburgh Press, 1997.
  • The Undertaker's Daughter, University of Pittsburgh Press, 2011.

OTHER

  • (With Madeline Bass) Creative Writing: A Manual for Teachers (nonfiction), New Jersey State Council on the Arts, 1985.
  • The Black Notebooks: An Interior Journey (prose autobiography), Norton (New York City), 1997.
  • Natural Birth, Firebrand Books, 2000.
  • The Poet and the Poem from the Library of Congress, (sound recording, interview and reading by the author), 1998.
  • (With Cornelius Eady) Gathering Ground: A Reader Celebrating Cave Canem’s First Decade, University of Michigan Press (Ann Arbor), 2006.

Contributor to anthologies, including Ariadne's Thread: A Collection of Contemporary Women's Journals, edited by Lyn Lifshin, Harper, 1982; Extended Outlooks: The Iowa Review Collection of Contemporary Women Writers, edited by Jane Cooper and others, Macmillan, 1982; Home Girls: A Black Feminist Anthology, edited by Barbara Smith, Persephone, 1982. Also contributor to An Introduction to Poetry, edited by Louise Simpson, 1986; Waltzing on the Water, Dell, and Early Ripening, edited by Marge Piercy. Contributor of poems to numerous periodicals, including Pequod, Iowa Review, Ironwood, Northwest Review; Poetry Northwest, American Poetry Review, Bread Loaf Quarterly, Massachusetts Review, Ploughshares, and Feminist Studies.