Movies
We’ve Seen Footage From Stephen King’s ‘It’!
Tonight attendees of the SXSW Conference and Festivals were treated to something special: an exclusive first look at the teaser trailer as well as one full scene from the upcoming adaptation of Stephen King’s It. As you can imagine, expectations were pretty high, but if the audience reactions were anything to go by, the footage met those expectations and then some.
Unfortunately, there was no footage of Skarsgård speaking as Pennywise, but what we did see proved to be quite terrifying. As expected, we were not permitted to record anything while the footage was being shown, so here is a description of the teaser trailer as I remember it. You’ll have to forgive the prose, as it’s late and I’m rushing to get this up before my next screening, but here goes:
The trailer opens with footage of Bill Denbrough making a paper boat for his little brother Georgie. We then move outside, where Georgie is chasing his boat in a rainstorm as it floats next to the curb. Suddenly, Georgie runs right into a street barrier, which knocks him down on the ground. He then watches as his boat sails into a gutter. He runs to the gutter and tries to see if he can see his boat. As he looks deep into the sewers, Pennywise abruptly appears before the screen cuts to black.
Then we are shown the members of the Loser’s Club meeting each other and realizing that they’ve all been seeing the same entity, before one of them finally says “The Clown.” Once that happens, the teaser then moves into its centerpiece, which shows the members of the Loser’s Club looking at pictures on a carousel slide projector that suddenly acquires a life of its own and begins moving through the slides at an increasingly alarming speed. The pictures are of Georgie and his parents, and each slide zooms in on Georgie’s face before cutting to his mother, whose hair is covering her face. As the projector moves from slide to slide, the hair moves out of his mother’s face, and her face is revealed to be that of Pennywise himself.
The trailer then blows through a flurry of shots, as most trailers are known to do. The most striking image from this succession of shots is the unforgettable moment when blood flows out of Beverly’s sink, only in Muschietti’s film it spews out like a geyser and blasts her in the face. There is also a sublime image of Pennywise approaching two of the children (he has them cornered against a wall), but the shot is framed in a way so that only his long, bony fingers fill the screen. The children are in the background, out of focus but clearly terrified.
The teaser ends with Bill walking down into his flooded basement, where Georgie’s ghost taunts him by repeatedly screaming “We all float down here!” before Pennywise rises from the water and rushes at him, in a moment that had the entire audience screaming. It is at this moment that the screen cuts to black and the word “IT” appears on screen.
Cue applause.
Now, I am fully aware that this is just a teaser trailer. It was maybe 90 seconds of footage, but it was a damn impressive 90 seconds of footage. The movie could still turn out to be terrible, but based on what was shown in Austin tonight, that seems highly unlikely. Director Andrés Muschietti did warn us that not all of the special effects were complete yet, but there were no unfinished effects that I could see in the teaser. As far as teasers go, it’s one of the best that I’ve ever seen. Apologies for the hyperbole (I know how much you all hate that), but we here at Bloody Disgusting believe in supporting what we are passionate about. We do not mince words. I won’t apologize for being blown away. It is one of my favorite novels, and I think that this movie may actually get it right. Unfortunately, there is no word on when this teaser trailer will be released online, but I can’t wait for all of you to see it.
We were also treated to a short scene from the film, which takes place right before Ben Hanscom is attacked by Henry Bowers and his gang. The scene shows Bill, Richie, Eddie and Stan at the entrance to the sewers in the Barrens, as they debate on whether or not to go inside. Before they make a decision, they are interrupted by Ben, who abruptly shows up, beaten to a bloody pulp. There wasn’t much to see here, but it did give you a good idea of the chemistry that the children will have in the film. Their banter feels natural and it flows well. Again, it wasn’t much but it was a solid two minutes of footage.
Directed by Andy Muschietti (Mama), the two-part film will see the first segment released on September 8th, 2017. It is still a ways away, but if this footage is anything to go by, we have nothing to worry about. I certainly can’t wait!
It also stars Bill Skarsgard as Pennywise the Clown, Owen Teague (“Bloodline”), Jaeden Lieberher (Midnight Special), Jack Dylan Grazer (Tales of Halloween ), Wyatt Oleff (Guardians of the Galaxy ), Chosen Jacobs (Cops and Robbers) and Jeremy Ray Taylor (Ant-Man).
Editorials
Five Serial Killer Horror Movies to Watch Before ‘Longlegs’
Here’s what we know about Longlegs so far. It’s coming in July of 2024, it’s directed by Osgood Perkins (The Blackcoat’s Daughter), and it features Maika Monroe (It Follows) as an FBI agent who discovers a personal connection between her and a serial killer who has ties to the occult. We know that the serial killer is going to be played by none other than Nicolas Cage and that the marketing has been nothing short of cryptic excellence up to this point.
At the very least, we can assume NEON’s upcoming film is going to be a dark, horror-fueled hunt for a serial killer. With that in mind, let’s take a look at five disturbing serial killers-versus-law-enforcement stories to get us even more jacked up for Longlegs.
MEMORIES OF MURDER (2003)
This South Korean film directed by Oscar-winning director Bong Joon-ho (Parasite) is a wild ride. The film features a handful of cops who seem like total goofs investigating a serial killer who brutally murders women who are out and wearing red on rainy evenings. The cops are tired, unorganized, and border on stoner comedy levels of idiocy. The movie at first seems to have a strange level of forgiveness for these characters as they try to pin the murders on a mentally handicapped person at one point, beating him and trying to coerce him into a confession for crimes he didn’t commit. A serious cop from the big city comes down to help with the case and is able to instill order.
But still, the killer evades and provokes not only the police but an entire country as everyone becomes more unstable and paranoid with each grizzly murder and sex crime.
I’ve never seen a film with a stranger tone than Memories of Murder. A movie that deals with such serious issues but has such fallible, seemingly nonserious people at its core. As the film rolls on and more women are murdered, you realize that a lot of these faults come from men who are hopeless and desperate to catch a killer in a country that – much like in another great serial killer story, Citizen X – is doing more harm to their plight than good.
Major spoiler warning: What makes Memories of Murder somehow more haunting is that it’s loosely based on a true story. It is a story where the real-life killer hadn’t been caught at the time of the film’s release. It ends with our main character Detective Park (Song Kang-ho), now a salesman, looking hopelessly at the audience (or judgingly) as the credits roll. Over sixteen years later the killer, Lee Choon Jae, was found using DNA evidence. He was already serving a life sentence for another murder. Choon Jae even admitted to watching the film during his court case saying, “I just watched it as a movie, I had no feeling or emotion towards the movie.”
In the end, Memories of Murder is a must-see for fans of the subgenre. The film juggles an almost slapstick tone with that of a dark murder mystery and yet, in the end, works like a charm.
CURE (1997)
If you watched 2023’s Hypnotic and thought to yourself, “A killer who hypnotizes his victims to get them to do his bidding is a pretty cool idea. I only wish it were a better movie!” Boy, do I have great news for you.
In Cure (spoilers ahead), a detective (Koji Yakusho) and forensic psychologist (Tsuyoshi Ujiki) team up to find a serial killer who’s brutally marking their victims by cutting a large “X” into their throats and chests. Not just a little “X” mind you but a big, gross, flappy one.
At each crime scene, the murderer is there and is coherent and willing to cooperate. They can remember committing the crimes but can’t remember why. Each of these murders is creepy on a cellular level because we watch the killers act out these crimes with zero emotion. They feel different than your average movie murder. Colder….meaner.
What’s going on here is that a man named Mamiya (Masato Hagiwara) is walking around and somehow manipulating people’s minds using the flame of a lighter and a strange conversational cadence to hypnotize them and convince them to murder. The detectives eventually catch him but are unable to understand the scope of what’s happening before it’s too late.
If you thought dealing with a psychopathic murderer was hard, imagine dealing with one who could convince you to go home and murder your wife. Not only is Cure amazingly filmed and edited but it has more horror elements than your average serial killer film.
MANHUNTER (1986)
In the first-ever Hannibal Lecter story brought in front of the cameras, Detective Will Graham (William Petersen) finds his serial killers by stepping into their headspace. This is how he caught Hannibal Lecter (played here by Brian Cox), but not without paying a price. Graham became so obsessed with his cases that he ended up having a mental breakdown.
In Manhunter, Graham not only has to deal with Lecter playing psychological games with him from behind bars but a new serial killer in Francis Dolarhyde (in a legendary performance by Tom Noonan). One who likes to wear pantyhose on his head and murder entire families so that he can feel “seen” and “accepted” in their dead eyes. At one point Lecter even finds a way to gift Graham’s home address to the new killer via personal ads in a newspaper.
Michael Mann (Heat, Thief) directed a film that was far too stylish for its time but that fans and critics both would have loved today in the same way we appreciate movies like Nightcrawler or Drive. From the soundtrack to the visuals to the in-depth psychoanalysis of an insanely disturbed protagonist and the man trying to catch him. We watch Graham completely lose his shit and unravel as he takes us through the psyche of our killer. Which is as fascinating as it is fucked.
Manhunter is a classic case of a serial killer-versus-detective story where each side of the coin is tarnished in their own way when it’s all said and done. As Detective Park put it in Memories of Murder, “What kind of detective sleeps at night?”
INSOMNIA (2002)
Maybe it’s because of the foggy atmosphere. Maybe it’s because it’s the only film in Christopher Nolan’s filmography he didn’t write as well as direct. But for some reason, Insomnia always feels forgotten about whenever we give Nolan his flowers for whatever his latest cinematic achievement is.
Whatever the case, I know it’s no fault of the quality of the film, because Insomnia is a certified serial killer classic that adds several unique layers to the detective/killer dynamic. One way to create an extreme sense of unease with a movie villain is to cast someone you’d never expect in the role, which is exactly what Nolan did by casting the hilarious and sweet Robin Williams as a manipulative child murderer. He capped that off by casting Al Pacino as the embattled detective hunting him down.
This dynamic was fascinating as Williams was creepy and clever in the role. He was subdued in a way that was never boring but believable. On the other side of it, Al Pacino felt as if he’d walked straight off the set of 1995’s Heat and onto this one. A broken and imperfect man trying to stop a far worse one.
Aside from the stellar acting, Insomnia stands out because of its unique setting and plot. Both working against the detective. The investigation is taking place in a part of Alaska where the sun never goes down. This creates a beautiful, nightmare atmosphere where by the end of it, Pacino’s character is like a Freddy Krueger victim in the leadup to their eventual, exhausted death as he runs around town trying to catch a serial killer while dealing with the debilitating effects of insomnia. Meanwhile, he’s under an internal affairs investigation for planting evidence to catch another child killer and accidentally shoots his partner who he just found out is about to testify against him. The kicker here is that the killer knows what happened that fateful day and is using it to blackmail Pacino’s character into letting him get away with his own crimes.
If this is the kind of “what would you do?” intrigue we get with the story from Longlegs? We’ll be in for a treat. Hoo-ah.
FALLEN (1998)
Fallen may not be nearly as obscure as Memories of Murder or Cure. Hell, it boasts an all-star cast of Denzel Washington, John Goodman, Donald Sutherland, James Gandolfini, and Elias Koteas. But when you bring it up around anyone who has seen it, their ears perk up, and the word “underrated” usually follows. And when it comes to the occult tie-ins that Longlegs will allegedly have? Fallen may be the most appropriate film on this entire list.
In the movie, Detective Hobbs (Washington) catches vicious serial killer Edgar Reese (Koteas) who seems to place some sort of curse on him during Hobbs’ victory lap. After Reese is put to death via electric chair, dead bodies start popping up all over town with his M.O., eventually pointing towards Hobbs as the culprit. After all, Reese is dead. As Hobbs investigates he realizes that a fallen angel named Azazel is possessing human body after human body and using them to commit occult murders. It has its eyes fixated on him, his co-workers, and family members; wrecking their lives or flat-out murdering them one by one until the whole world is damned.
Mixing a demonic entity into a detective/serial killer story is fascinating because it puts our detective in the unsettling position of being the one who is hunted. How the hell do you stop a demon who can inhabit anyone they want with a mere touch?!
Fallen is a great mix of detective story and supernatural horror tale. Not only are we treated to Denzel Washington as the lead in a grim noir (complete with narration) as he uncovers this occult storyline, but we’re left with a pretty great “what would you do?” situation in a movie that isn’t afraid to take the story to some dark places. Especially when it comes to the way the film ends. It’s a great horror thriller in the same vein as Frailty but with a little more detective work mixed in.
Look for Longlegs in theaters on July 12, 2024.
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