Tate Britain
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Keith Piper says engaging with offensive and traumatic imagery can be important in keeping a clear sense of history
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Giving subscriptions as a present helps the culture sector plug its finances and saves money too
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NotebookJesse Darling blaming Margaret Thatcher for arts cuts is as inaccurate as it’s outdatedRachel CookeTurner prize winner’s speech pointed finger at former prime minister, but there are culprits far more deserving of our ire
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4 out of 5 stars.
Women in Revolt! Art and Activism in the UK 1970-1990 review – a monumental social history
4 out of 5 stars.From Miss World to the Equal Pay Act to Reclaim the Night, via flyers and flour bombs, this extraordinary show celebrating two decades of British feminism deserves your full attention
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Bobby Baker’s An Edible Family in a Mobile Home (1976) will be recreated – this time with a vegan option
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4 out of 5 stars.In this gloriously filthy show, the sculptor collides old and new work to make an exhilarating cornucopia of sex, jokes and death
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As Tate Britain opens a retrospective – replete with cigarettes, marrows and fried eggs – the former YBA extols the importance of being idle
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3 out of 5 stars.
Chris Ofili: Requiem review – Grenfell Tower as a burning cage in an ocean of despair
3 out of 5 stars.The artist’s dramatic site-specific work, partly a memorial to artist Khadija Saye, who died in the fire, is like a transition between life and death or grief and acceptance -
The artist has finally chosen to address the tragedy – with Requiem, a vast work depicting a flaming building, fleeing souls and an ocean of tears. He explains why he placed an artist who died at its centre
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Lance O’Connor was accused of intimidating organisers and attenders at story-telling event for children
Topics
John Miller obituary