It was one of the great fashion partnerships of all time. Her, a Belgian-born movie star with an impeccable eye for style. He, a French designer with unrivaled sense of fit and elegance. What they shared was a desire to honor the classics and take risks when they could in proportion or pattern, color or cut. It's a partnership that spanned decades and defined both of their careers. In honor of Hubert de Givenchy's passing, we look back at their most exquisite achievements.
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1
'Love in the Afternoon,' 1957
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A portrait neckline and delicate floral print.
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2
'Love in the Afternoon,' 1957
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Pinstripe pixie pants—check out the button detail at the ankle—and a sweet knit cardigan.
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3
'Love in the Afternoon,' 1957
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All the fur.
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4
'Love in the Afternoon,' 1957
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Guessing your bathrobe doesn't have a Greek key pattern and a braided rope tasseled belt?
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5
'Love in the Afternoon,' 1957
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A structured and long-sleeved take on the LBD.
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6
'Love in the Afternoon,' 1957
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Scalloped, beaded, and bowed.
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7
'Funny Face,' 1957
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Who doesn't dream of dancing with Fred Astaire in this frilly tea-length wedding gown?
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8
'Funny Face,' 1957
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Citrus-toned poppies and and a bateau collar.
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9
'Funny Face,' 1957
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A hunter green gown, the tiniest pillbox hat, and silver kitten heels.
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10
'Funny Face,' 1957
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A boy-fit jacket and a girly dotted scarf.
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11
'Funny Face,' 1957
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Slip-shoulders and a tight corset fit. Oh, and a few casual white doves.
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12
'Funny Face,' 1957
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An elegant white fez, chiffon scarf and black velvet gloves.
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13
'Funny Face,' 1957
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A column dress, complete with train and boxy overlay.
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14
'Funny Face,' 1957
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A contrast cape tops off this ballgown.
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15
Funny Face, 1957
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Graphic black and white flowers; A-line, strapless silhouette.
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16
'Funny Face,' 1957
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Cropped boxy top, high-waisted tapered pants, and a jaunty belted scarf.
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17
'Funny Face,' 1957
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Audrey is wearing white ankle boots (they weren't in the frame!) and a boater hat in 1957. She's also holding balloons in front of the Arc de Triomphe. What else do you need to know?
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18
'Funny Face,' 1957
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At the Louvre in a crimson column gown, naturally.