Unfortunately, Slott's script tries to take on a bit too much. There isn't enough room to properly introduce the new Daily Bugle characters or the business tycoon who forms the basis of their first group assignment. The plot feels a little rushed in general, compressed to fit the done-in-one structure when it probably could have used a second issue (or at least a few more pages) to breathe. But at least Slott continues to make the most of the charming Peter/Bobbi dynamic, as the fortunes of both characters seem to rise and fall at random.
Visually, this series continues to be one of Marvel's strongest performers thanks to the confident, steady hands of Immonen and inker Wade von Grawbadger. They keep the book's energy level high despite the more dialogue-driven nature of the story. The expressive, detailed figure work certainly doesn't hurt. And fortunately, Immonen has the chance to branch out a bit and render a fun little action sequence near the end.
My only complaint with the art is that colorist Rain Beredo doesn't complement Immonen and von Grawbadger's work as well as Marte Gracia did before him. There's a certain harshness to the art that wasn't present before. Still, this series is a true visual showcase, and all the more because it's been so consistent for the past year.