File:Gilbert Stuart - Catherine Brass Yates (Mrs. Richard Yates) - Google Art Project.jpg

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Captions
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Summary
[edit]Gilbert Stuart: Catherine Brass Yates (Mrs. Richard Yates)
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Artist |
artist QS:P170,Q41402 |
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Title |
Catherine Brass Yates (Mrs. Richard Yates) title QS:P1476,en:"Catherine Brass Yates (Mrs. Richard Yates)"
label QS:Len,"Catherine Brass Yates (Mrs. Richard Yates)" |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre |
portrait ![]() |
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Depicted people |
Catherine Brass ![]() |
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Date | 1793/1794 | ||||||||||||||||||||||||
Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 oil on canvasmedium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 76.20 mm (3 in); width: 63.50 mm (2.50 in) dimensions QS:P2048,76.2U174789 dimensions QS:P2049,63.5U174789 |
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Collection |
institution QS:P195,Q214867 |
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Accession number |
1940.1.4 |
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Place of creation |
United States ![]() |
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Object history |
The sitter's daughter, Catherine Yates Pollock [c. 1760-1805] and her husband, George Pollock [1762-1820], New York and New Orleans; their son, Carlile Pollock [1791-1845], New Orleans; his daughter, Marie Louise Pollock Chiapella [1828-1902]; possibly to her son, Henry Chiapella [1849-c. 1908]; his niece, Louise Chiapella Formento, New Orleans; sold 1911 to Isaac Monroe Cline [1861-1955] New Orleans;[1] purchased 16 January 1918 by Thomas B. Clarke [1848-1931], New York;[2] his estate; sold as part of the Clarke collection on 29 January 1936, through (M. Knoedler & Co., New York), to The A.W. Mellon Education and Charitable Trust, Pittsburgh; gift 1940 to NGA.
[1] Cline wrote Thomas B. Clarke in New York on 11 February 1918 that he had purchased the portraits of Mrs. Yates, her husband Richard Yates [NGA 1942.8.29], and Lawrence Reid Yates [NGA 1940.1.5] in 1911, and had later bought portraits of Mr. and Mrs. Richard Yates' daughter Catherine Yates Pollock [NGA 1942.8.19] and her husband George Pollock [NGA 1942.8.18] (NGA curatorial files). Cline told David E. Finley that he had purchased all five Stuart portraits from Formento; letter of 1 March 1948, in NGA curatorial files. For Cline's dates see Historic New Orleans Collection, Encyclopedia of New Orleans Artists 1718-1918, New Orleans, 1987, 81. For the Pollock family see Horace Edwin Hayden, Pollock Genealogy, Harrisburg, Pennsylvania, 1883, 48; letters from Bureau of Archives, St. Louis Cathedral, New Orleans, 3 April 1919 and 23 July 1918; "Last Will and Testament of George Pollock," signed 2 September 1819, New Orleans, and will of Carlile Pollock, signed 16 April 1845, New Orleans (copies, NGA curatorial files).
[2] The name of the seller and the date of purchase are recorded in a copy of Portraits by Early American Artists of the Seventeenth, Eighteenth and Nineteenth Centuries Collected by Thomas B. Clarke, Exh. cat., Philadelphia Museum of Art, 1928, annotated with information from files of M. Knoedler & Co., NY (copy in NGA curatorial records and in NGA library). Clarke sent Clarence J. Dearden of Art House, Inc., to New Orleans to negotiate the purchase of the five portraits; Dearden confirmed the purchase in a telegram to Clarke on 16 January 1918 (NGA curatorial files). [2] The name of the seller and the date of purchase are recorded in a copy of Portraits by Early American Artists of the Seventeenth, Eighteenth and Nineteenth Centuries Collected by Thomas B. Clarke, Exh. cat., Philadelphia Museum of Art, 1928, annotated with information from files of M. Knoedler & Co., NY (copy in NGA curatorial records and in NGA library). Clarke sent Clarence J. Dearden of Art House, Inc., to New Orleans to negotiate the purchase of the five portraits; Dearden confirmed the purchase in a telegram to Clarke on 16 January 1918 (NGA curatorial files). |
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Notes | More info at museum site | ||||||||||||||||||||||||
References | |||||||||||||||||||||||||
Source/Photographer | igHWmdwnzegleQ at Google Cultural Institute maximum zoom level |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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current | 20:55, 18 October 2012 | ![]() | 7,682 × 9,252 (18.01 MB) | DcoetzeeBot (talk | contribs) | =={{int:filedesc}}== {{Google Art Project |commons_artist={{Creator:Gilbert Stuart}} |commons_title= |commons_description= |commons_date= |commons_medium= |commons_dimensions= |commons_institution= |commons_location= |commons_references= |commons_objec... |
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Structured data
Items portrayed in this file
depicts
- Female portrait paintings by Gilbert Stuart
- 18th-century portrait paintings in the National Gallery of Art
- American paintings in the National Gallery of Art
- 1793 oil on canvas paintings in the United States
- 1790s portrait paintings from the United States (female)
- 1793 portrait paintings of women
- 18th-century oil portraits of sitting women at half length
- 18th-century three-quarter view portrait paintings of women, facing left and looking at viewer
- Embroidery in art
- Paintings of women sewing indoors
- Portrait paintings of women wearing white mob caps and fichu
- Romantic paintings of women
- White clothing in art, female
- Catherine Brass Yates
- Large images
- Artworks with known accession number
- Artworks with Wikidata item
- Artworks digital representation of 2D work
- Google Art Project works in National Gallery of Art, Washington DC
- Google Art Project paintings
- Files from Google Arts & Culture
- PD-old missing SDC copyright status
- CC-PD-Mark
- PD-old-100-expired
- PD-Art (PD-old-100-expired)
- PD-Art missing SDC copyright status
- Google Art Project works by Gilbert Stuart