2015 Directed by Sean Baker
It's Christmas Eve in Tinseltown and Sin-Dee is back on the block. Upon hearing that her pimp boyfriend hasn't been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity.
Kitana Kiki Rodriguez Mya Taylor Karren Karagulian Mickey O'Hagen Alla Tumanian James Ransone Luiza Nersisyan Arsen Grigoryan Ian Edwards Scott Krinsky Clu Gulager Ana Foxxx Chelcie Lynn Shih-Ching Tsou Josh Sussman Julie Cummings Jason Stuart Richard-Lael Lillard Angelique Banks Andrew D. Scoggins Genesis Green Shanyce Nivaye Linda Macon Francis Lola Alfred Lopez Katrina Remero Roxana Guirola Chris Bergoch Khris Dickerson Show All…
Sean Baker Chris Bergoch Radium Cheung Kevin Chinoy Karrie Cox Marcus Cox Julie Cummings Darren Dean Karren Karagulian Francesca Silvestri Shih-Ching Tsou
탠저린, タンジェリン, 橘色, Tangerine L.A., Mandarynka, Мандарин, Мандарина, Tangerina, 跨性有話兒, 夜晚還年輕
USA
Sundance Film Festival
Brazil
Rio de Janeiro International Film Festival
USAR
Hong KongIII
UK
Denmark15
France
Brazil16
Germany16
South Korea18
Mexico
Germany16
Brazil
Denmark
France
Germany
Hong Kong
Mexico
South Korea
UK
USA
whats the point of getting out of bed in the morning if the colors in real life aren't as vivid or dreamy as a sean baker film
I am often skeptical when actors claim they had significant input into a film, mostly because most major actors are, more than anything, experts at projecting an image, and it is to their benefit and even to the benefit of the writers and directors and so on behind a film to let them take that credit. They are, after all, the face the audience is buying tickets to see. However, some performances are so strong that it's clear that even if the director told the actor every move to make, the actor's skill is what is behind the quality of the performance (think Mifune), and some actors have a public persona that is definitively not the crafted persona of a…
“YOU DIDN’T HAVE TO CHRIS BROWN THE BITCH” is my favourite line in cinematic history makes me almost piss every time
Honestly the most “LA” movie I’ve seen in a long time- by which I mean it captures the spirit and feeling and people of LA as I know it, more than so many other films that try to depict LA as people want to see it. The iPhone aesthetic of it all lost its value to me so quickly and became really distracting and kind of frustrating, but I still really dug this! I love that Sean Baker seems dedicated to making humanizing depictions of the lower class that don’t lean heavily on the tragedy of living without privilege (save for one moment that was so unexpected it kind of broke my heart.)
LA’s a shithole and the iPhone is the perfect tool to translate that to screen.
I'm so tired of people pretending there aren't two T's in LGBTT one of them stands for Tangerine (2015) directed by Sean Baker
A reinvigorating reminder of what indie filmmaking can—and should—do, this bracingly brilliant new movie from Starlet writer-director Sean Baker tells an L.A. story so florid and electric that it feels like a Pedro Almodóvar remake of Crank.
