documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
During a recent Eurogroup meeting, some European finance ministers allegedly told Euclid Tsakalotos that, while he may be right in protesting against the terms imposed by the IMF, he will ultimately have…
You handed me a face shield with a steel blue head strap. “Have a glass mask,” you said. We laughed softly, aware of the obvious, not funny, allusion. I asked you if you knew that monosyllabic rhymes…
The collaboration between documenta 14 and the National Museum of Contemporary Art, Athens (EMST) seemed both inevitable and unlikely. But no more unlikely than documenta 14 dividing like a replicating…
One of the largest temples of the ancient world, the Temple of Olympian Zeus was first planned in 515 BC by Peisistratus the Young. Construction, however, stalled for more than six hundred years and only…
Opened in 1992, a few quiet footsteps from Grimmwelt Kassel, the Museum für Sepulkralkultur is entirely dedicated to the culture of death, from burial customs and memorial symbols to more everyday experiences…
It’s easily the oldest house I’ve ever lived in—known in Kassel, until I moved into it in August 2015, as the Brothers Grimm Museum. The address is Schöne Aussicht 2, hence the building’s “official”…
Chantal Akerman, the director of No Home Movie and Golden Eighties among other classics of independent cinema, died in October 2015. Her uncompromising career culminated in the singularly radical testament of her final feature film, No Home Movie…
To approach a definition: the score is a notational device that connects the material of a discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…
with Andrew Feinstein, Johan Grimonprez, and Marina Fokidis
A discussion on Democracy and War with Andrew Feinstein, author, and Johan Grimonprez, artist moderated by Marina Fokidis, Head of documenta 14 Artistic Office, Athens
It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…
