ASYMPTOTE uses architectonic sites that are authentic to the era of socialism. At the basis of the project lies a historical foundation that collaborates with a fictional scenario to blur the lines between reality and memory. All body form in the project is folded within the space to shape a coherent geometrical composition, a symbol of the regime itself.
People create a pattern. They become part of the overall composition: the architecture and the society. Each person is stripped of their own individuality to become a unified form, by doing so, it creates an absurd platform where every difference is an anomaly.
Asymptote was one of the finalist choices at the SHOWstudio and screened at the Milan Fashion Film Festival, New York Short Film Festival, and Diane Pernet's ASVOFF10 held at the Centre Pompidou in Paris.