Ghost Culture: Ghost Culture review – the pleasure is in the detail

There’s a glossy quality to this debut from London-based electronics whiz James Greenwood: every track has been polished to such a high lustre, and the 24-year-old’s softly-spoken vocals are delivered with such composure, that a little bit of messiness here and there wouldn’t go amiss. The pleasure, and it’s considerable, is in the detail. Greenwood has woven an intricate tapestry of bleeps, acid squelches and melancholy synths, but he’s hidden the threads: tracks such as Lucky are more layered and complex than they initially appear. It takes a lot of skill to make something this painstaking sound so smooth.